ART MATTERS 17 – Special Summer Edition
(für Deutsch bitte hier klicken)
WIN A SPOT IN THE GROUP EXHIBITION ‘ABSTRACT’ IN OUR GALLERY IN COLOGNE!
APPLY NOW AND TAKE PART IN OUR OPEN CALL FOR ARTISTS WORLDWIDE!
DEADLINE: SUNDAY 2 AUGUST 6PM CET
MORE INFO & APPLICATION FORM: SEE BELOW!
Dear Artists,
Submissions for our new art competition are now open until Sunday 2 August at 6pm CET! As usual with our Special Summer Edition, this time there is once again a theme: ‘abstract’!
We are looking for two artists to present their work in our gallery group exhibition ‘abstract’ planned for sometime in 2027 in Cologne.
How should ‘abstract’ be defined? From abstract(ed) to non-representational, anything is possible... Well, surprise us! One thing is certain: all media are permitted, whether painting, sculpture, photography or...
SELECTION PROCESS:
As part of our 17th ART MATTERS Open Call, we will select 9 international artists whose submitted works will be shown in our carefully curated online group exhibition ‘ART MATTERS 17 – abstract’ from 10 to 19 August 2025 on our website and Instagram account.
A further 27 artists will be selected and receive an ‘Honourable Mention’ in our Instagram stories for the duration of the ART MATTERS 17 exhibition.
On Wednesday 19 August, we will announce the 2 winners of our competition and invite them to participate in the physical group exhibition on the theme of ‘abstract’ at our gallery in Cologne sometime in 2027 (to be determined).
PLEASE NOTE:
In order to be able to continue this project, we have once again made the well-considered decision to charge a registration/processing fee of €20 (see below). This fee covers part of our administrative costs and is non-refundable.
To apply, please read the following FAQ carefully and then fill out the application form below. By registering for ART MATTERS 17, you agree to the terms and conditions of participation.
FAQ / Conditions of participation
Who can apply?
- Our Open Call is international: all visual artists aged 18 and over and from all artistic disciplines are invited to apply.
- All applicants will be considered as part of our selection/evaluation process. Please note that a submitted application does not automatically mean participation in ART MATTERS 17.
What can you apply with?
- 1 image of one of your artworks that is available for sale and can be offered by us in our online shop!
- You must own the copyright.
- Medium, technique or size: All art forms, techniques and formats are permitted. Our theme for summer 2026 is: abstract!
- File size: max. 2MB
- CV including list of exhibitions
- Text (e.g. artist statement, article...)
- The artwork you upload must not contain pornographic, sexually explicit, violent or racist material.
Is there a participation fee?
- Yes, there is a non-refundable processing fee of €20 per artist for an application with one work. You can apply multiple times.
What is the commission arrangement when a work of art is sold?
- The artist and the gallery each receive 50% of the sales price. Further costs, such as shipping, will be borne by the gallery or the collector.
Which dates are important?
- The Open Call will run from 10 July to 2 August 2026, after which no more applications will be accepted and our selection process will begin.
- ALL participants will be informed about our decision from Thursday 6 to Saturday 8 August. We therefore ask you to check your e-mail inbox and also your spam box!!
- We will contact each of the 9 artists and the 27 ‘Honourable Mentions’ that we have selected to take part in ART MATTERS 17 individually with further details.
- From Monday 10 to Tuesday 18 August, we will present the 9 selected artists and their submitted works one after the other and daily at 6pm online (website, online shop, Instagram).
- We will post the "Honourable Mentions" in our Instagram stories from 11 to 19 August, 3 per day and between noon and 6pm each day.
- On the last day of the exhibition, Wednesday 19 August at 5pm and at 6pm, we will announce the 2 winners of our open call competition ART MATTERS 17 – they will be exhibited in our Cologne gallery: group exhibition ‘abstract’ planned for summer/autumn 2027.
How can you submit an application?
- Please only use the following form, fill in the application form and complete the application by paying the participation fee via PayPal or credit/debit card (in each case via the SUBMIT button). If neither is available to you, please let us know and we will find a solution! (You do not need to be registered with PayPal!)
- Once payment has been completed, your application is automatically sent and received by us. The confirmation of payment on your PayPal page is also the confirmation of registration. And if anything is missing, we will get in touch with you!
- You will receive a receipt (= official registration confirmation) for the payment made from us by e-mail within the following 24 hours.
If you need help (sometimes there may be browser-related problems with the form or similar), please do not hesitate to contact us at art@galerie-biesenbach.com – we will respond as soon as possible!
And now good luck to you all!
Apropos:
You can simply scroll down to get an impression of our last ART MATTERS exhibitions in the archive.
Application ART MATTERS 17
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ARCHIVE
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ART MATTERS 16
Online Group Exhibition
30 March – 8 April 2026 (works available online until 15 April)
1 new artist daily at 6pm CET
exclusively here and on: Instagram, Galerie Biesenbach Webshop and Facebook
FINALE: Wednesday 8 April at 5pm and at 6pm
We announce the two winners of our online competition: they will be invited to participate in our 2nd physical ART MATTERS group exhibition at our Cologne gallery in winter 2026. (Two additional participants – Citlali L. Halfar and Kyungseo Lee – were already selected last fall via our ART MATTERS 15 open call.)
Following our 16th Open Artist Call, we launch our new ART MATTERS online group exhibition on Monday 30 March at 6pm CET. From all applications received, we have selected 9 finalists, who will be presented with their submitted artworks here on our website, on Instagram and on Facebook, one after the other until 7 April. Every day at 6pm, a new name and artwork will be unveiled so that the exhibition slowly comes together as a whole. The presentation of our Top 9 is rounded off by the "Honourable Mentions" in our daily Instagram stories, in which we acknowledge the works of a selected number of artists who just missed the final cut (27, to be exact, posted in our Instagram stories from 31 March to 8 April, 3 per day and between noon and 6pm).
Finale: On Wednesday 8 April at 5pm and at 6pm we will announce the two winners of our online competition: They will be invited to participate in the 2nd physical group group exhibition ART MATTERS in our gallery space in Cologne, which will open beginning of December 2026.
We invite you to visit ART MATTERS 16 regularly here on our website, Instagram and Facebook.
About our ART MATTERS series:
As with our previous 15 Open Artist Calls since April 2020 – 12 regular editions and 3 special summer editions – we were aware of how diverse and eclectic this 16th online exhibition could be. But it is precisely the idea of an open call that continues to appeal to us: inviting artists from a wide variety of backgrounds to apply and submit their work. From this multitude of perspectives and positions, we hope to create an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of the gallery, but also brings something new to our programme.
You can check out our first 15 ART MATTERS shows in the archive further down.
PS: Our next open call ART MATTERS 17 – Special Summer Edition will take place in July 2026… then again with a specific theme!
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FINALE: Wednesday 8 April
EUNJEONG KIM – Winner 2/2
It is time to announce the second of two winners of our 16th ART MATTERS online competition: Congratulations to EUNJEONG KIM, whom we hereby invite to take part in the second physical ART MATTERS group exhibition at our gallery in Cologne.
Three further participants were already selected: Hajin Jeong earlier today as our first ART MATTERS 16 winner and Citlali L. Halfar and Kyungseo Lee via our open call for ART MATTERS 15.
Eunjeong Kim (*1990) lives and works between Germany and South Korea. In 2023, she finished her Master studies under Wolfgang Ellenrieder at the Braunschweig University of Art. Kim’s works span painting, digital image spaces and spatial installations. The artist explores how painterly forms detach themselves from the surface, extend into space and can be perceived as both a visual and a physical experience. She transforms the two-dimensional nature of painting into three-dimensional sculpture and makes the viewer an active part of her works.
Taking painting as her starting point, she uses digital processes to reorganise image and space. Within these digital image spaces, painterly forms unfold in motion and temporality, generating spatial compositions. The structures developed there are subsequently transferred back into painting. In this process, the smooth surface of digital images meets the material density of paint. This superimposition creates a field of tension between digital pictorial space and physical presence.
Materiality and immateriality, reality and virtuality, surface and space: Eunjeong Kim’s work is colourful, created in small to large formats, expressive and at the same time both focused and expansive. It offers an experience that is as compelling as it is comprehensive on both analogue and digital levels, one that inevitably captivates the viewer. We are delighted to be able to show a selection of her works in our gallery from 4 December 2026.
Eunjeong Kim
Fragment 20, 2025
acrylic on canvas
40 x 40 cm
STATEMENT
I explore the intersections between painting and digital media, as well as between materiality and immateriality, reality and virtuality, surface and space.
Taking painting as my starting point, I use digital processes such as 3D animation, VR and AR to reorganise image and space. Within these digital pictorial spaces, painterly forms unfold in motion and temporality, generating spatial compositions.
The structures developed there are subsequently transferred back into painting. In this process, the smooth surface of digital images meets the material density of paint. This superimposition creates a field of tension between digital pictorial space and physical presence.
My works move between painting, digital image spaces and spatial installations. I am interested in how painterly forms detach themselves from the surface, expand into space and can be perceived as both a visual and a physical experience.
MORE ABOUT EUNJEONG KIM
Website
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HAJIN JEONG – Winner 1/2
It is time to announce the first of two winners of our 16th ART MATTERS online competition: Congratulations to HAJIN JEONG, whom we hereby invite to take part in the second physical ART MATTERS group exhibition at our gallery in Cologne.
The second winner will be announced at 6 pm! Also: two further participants – Citlali L. Halfar and Kyungseo Lee – were already selected last autumn as part of our open call for ART MATTERS 15.
The emerging artist Hajin Jeong (*1995 in Seoul, South Korea) lives and works in Berlin. Having studied at Hongik University in Seoul and the Utrecht School of the Arts in the Netherlands, she is currently completing a Master’s degree at the Dresden Academy of Fine Arts (under Prof. Anne Neukamp). Jeong was recently awarded the Caspar David Friedrich Young Artist Prize 2026.
Hajin Jeong’s painting unfolds in a state of limbo between abstraction and figuration. Motifs emerge – treetops, fragments of bodies, a figure in space – only to slip back into flowing swathes of colour the next moment. Her works rarely contain self-contained narratives, but unfold as an open network of fragments. The scenes oscillate between the recognisable and the approximate, evoking the fleeting nature of a dream in which images flash briefly and vanish again at once.
Between presence and dissolution, a resonant space thus emerges in which memory, nature and imagination intertwine – images that are deeply rooted in the personal yet reveal themselves as universal. Moving, emotional and evocative: we are delighted to be able to show a selection of her paintings in our gallery from 4 December 2026.
Hajin Jeong
Stange, 2026
oil on canvas
91 x 86 cm
STATEMENT
My paintings visualise the landscape in front of us, moving and shifting at different speeds in response to emotion, within each individual's universe. I seek to deconstruct these lingering, evocative moments into multiple sequences within the image, then reconstruct them through colour and brushwork into a painterly language. Through the varying tempos experienced by slow or fast modes of transit, I capture fragments of nature within the urbane environment and the figures navigating its chaos. These scenes emerge as landscapes situated at the boundary between the figurative and the abstract.
Within the anonymity of megacities like Berlin or Seoul, the countless figures I encounter in passing become the starting point for my visual narrative. Within metropolitan life, surrounded by countless individuals and minimal nature, objects that catch our gaze appear and vanish rapidly. The figures appearing in the paintings originate from curiosity about strangers encountered on the street, existing as forms celebrating the coincidental encounter between myself and the subject. The process of recalling a subject chosen from memory and translating it into painting is an act of rediscovery, granting the figure sufficient time and exploring it through an earnest gaze.
MORE ABOUT HAJIN JEONG
Website
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OUR TOP 9 AT ONE GLANCE:
Our final TOP 9 is complete – thank you for participating in our online group show ART MATTERS 16 – (from top left):
Josh Juett – Noah Kashiani – John Brennan
Alena Ahrens – Hajin Jeong – Hadin Schorn
Justin Goebgens – Eunjeong Kim – Anna Olsson
Tonight at 5pm and at 6pm we will announce the 2 winners of our ART MATTERS 16 online competition!
About ART MATTERS 16:
For the 16th edition of ART MATTERS, it was once again difficult for us to select only 9 artists for our online show from the many outstanding submissions we received in response to our latest Open Artist Call.
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for about two weeks, three times a year.
Many thanks to everyone who has been following this project and many thanks also – above all – to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (some of whom we are still presenting today in our Instagram Stories).
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OUR 9 FINALISTS:
ANNA OLSSON
Stop!, 2025
tapestry, linen
57 x 57 cm each (series of 6)
Day 9 of our 16th ART MATTERS online group exhibition: We present the last of our 9 finalists... which means: Tomorrow is the finale and we will announce – at 5pm and at 6pm –the 2 winners of our art competition, respectively! But first, we are delighted to present today the Swedish textile artist ANNA OLSSON (*1972, lives and works in Göteborg). Olsson’s six-part tapestry depicts a rainbow brigade of girls standing up for equality for all and protesting against war and climate change. With a sense of resignation, they turn up their noses and roll their eyes when they look at us adults, who should really have been their rock and their shield against an uncertain future. Read more about Anna Olsson and her work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
I try to understand the world in my loom and the tapestries become my answer to change. I weave because I want to tell something. I listen, see and meet people. I think, ponder and images arise. Images that then become image fabrics.
I am a textile artist and mainly weave tapestries in a loom but also embroider pictures and objects. Since my graduation in 1995, I have worked in my own studio and had separate exhibitions and participated in various group exhibitions, both in Sweden and abroad. My images are built up of surfaces in different colors through composition and rhythms. I like colors and the woven surface. I often work on a cohesive theme. My art has always been strongly driven by a political vision within me.
MORE ABOUT ANNA OLSSON
Website
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EUNJEONG KIM
Fragment 20, 2025
acrylic on canvas
40 x 40 cm
Day 8 of our 16th ART MATTERS online group exhibition: Today we are pleased to introduce the South Korean artist EUNJEONG KIM (*1990, lives and works in Duisburg). Kim’s painting style is colourful and expressive, yet at once focused and expansive. Her works offer an experience that is as captivating as it is comprehensive on both analogue and digital levels, inevitably drawing the viewer into its spell. The artist transforms the two-dimensionality of painting into sculptural three-dimensionality, thereby making the viewer an active part of her work. Read more about Eunjeong Kim and her work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
I explore the intersections between painting and digital media, as well as between materiality and immateriality, reality and virtuality, surface and space.
Taking painting as my starting point, I use digital processes such as 3D animation, VR and AR to reorganise image and space. Within these digital pictorial spaces, painterly forms unfold in motion and temporality, generating spatial compositions.
The structures developed there are subsequently transferred back into painting. In this process, the smooth surface of digital images meets the material density of paint. This superimposition creates a field of tension between digital pictorial space and physical presence.
My works move between painting, digital image spaces and spatial installations. I am interested in how painterly forms detach themselves from the surface, expand into space and can be perceived as both a visual and a physical experience.
MORE ABOUT EUNJEONG KIM
Website
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JUSTIN GOEBGENS
Loves Me / Loves Me Not, 2026
oil on a laser-cut MDF panel
56 x 47,5 x 0,3 cm
Day 7 of our 16th ART MATTERS online group exhibition: Berlin-based artist JUSTIN GOEBGENS (*1996) is our seventh of nine finalists. His work is an attempt to make queer intimacy visible. Formal reduction and precise, smooth surfaces contrast with symbolic interventions that speak of structural violence, social pressure and historical baggage. This creates pictorial spaces in which tenderness and threat coexist. Read more about Justin Goebgens and his work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
My artistic practice explores the queer body as a political and social space. I am interested in how social norms, exclusion and collective experience can be translated into physical imagery. In this context, the body does not appear as a complete identity, but as a fragment – as a surface on which vulnerability, control and resistance are simultaneously revealed. Drawing on my own experience as part of a marginalised community, I explore the tension between intimacy and publicness. Queer existence often oscillates between protection and visibility, between self-assertion and the awareness of being vulnerable. This ambivalence forms the starting point for my work.
Formal reduction and precise, smooth surfaces contrast with symbolic interventions that speak of structural violence, social pressure and historical burdens. This gives rise to pictorial spaces in which tenderness and threat coexist. The body is not staged naturalistically, but as a projection surface for social mechanisms and collective experience. My works are intended as an attempt to make queer intimacy visible – not as a provocation, but as an assertion of presence within a space that does not always naturally permit such a presence.
MORE ABOUT JUSTIN GOEBGENS
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HADIN SCHORN
Stäbchen, 2022
reverse painting on glass , acrylic behind float glass
190 x 24,7 x 0,5 cm
Day 6 of our 16th ART MATTERS online group exhibition: Today we are delighted to introduce the German artist HADIN SCHORN (*1980, lives and works in Leipzig). Glass possesses a beauty, coolness and hardness all of its own, yet at the same time a fragility or delicacy. Hadin Schorn is drawn to this contradiction. Her reverse-glass painting unfolds in the interplay between surrendering to an intuitive painterly gesture and the controlled cutting out of the areas of colour and the glass itself: a dialogue between form and colour. Read more about Hadin Schorn and her work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
Every day, and with increasing frequency, we perceive the world through the digital windows of our mobile phones and computer screens. Colours shine out at us from reflective surfaces – beautiful, smooth, unattainable. Even paintings are increasingly displayed on glowing screens. Hadin Schorn uses this phenomenon as the starting point for her work. Bringing the digital back into an analogue working process – through reverse-glass painting. The glass intensifies the luminosity of the colours, as well as the surfaces and lights of our monitors.
The materiality of glass possesses an inherent beauty, coolness and hardness, yet at the same time a fragility or vulnerability. Hadin Schorn is drawn to this contradiction. Her reverse-glass painting unfolds through a interplay between surrendering to an intuitive painterly gesture and the controlled trimming of the areas of colour, as well as the glass itself. She carves forms out of the material. A work does not emerge as the realisation of a concrete idea, but rather through the process of working with the material – ‘from within the material’. It is a dialogue with form and colour. Her formal vocabulary finds its origin in conscious, dynamic, physical and fluid movement. The forms swirl, entangle and interweave, are cut apart with a scalpel and reappear elsewhere in the picture. Her visual language evokes associations with computer graphics, polyps, textile surfaces and Art Nouveau ornamentation. Empty spaces or areas that have been re-exposed refer back to the material and to reality. Shadows cast by the forms onto the background lend the painting a spatial dimension.
Reverse glass painting has a tradition stretching back centuries and can be traced as far back as antiquity. Numerous reverse glass paintings from the Middle Ages have survived to this day. We are primarily familiar with reverse glass painting in the context of church and folk art. Glass as a medium for images is striking in its contemporary appearance. Hadin Schorn brings it into the 21st century with her vocabulary of form and colour.
MORE ABOUT HADIN SCHORN
Website
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HAJIN JEONG
Stange, 2026
oil on canvas
91 x 86 cm
It is Day 5 of our 16th ART MATTERS online group exhibition: South Korean painter HAJIN JEONG (*1995, lives and works in Berlin) is our fifth of nine finalists. Jeong’s works, mostly large-scale, expressively coloured paintings, open up spaces imbued with emotion. Her works, which at times appear provocative and unsettling, are characterised by great versatility. She subtly places figures – people and animals – in fragmentary landscapes that do not reflect reality, but consist of collected impressions and thus serve multiple narrative levels. Hajin Jeong invites viewers to make a connection with their own memories. Read more about Hajin Jeong and her work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
My paintings visualise the landscape in front of us, moving and shifting at different speeds in response to emotion, within each individual's universe. I seek to deconstruct these lingering, evocative moments into multiple sequences within the image, then reconstruct them through colour and brushwork into a painterly language. Through the varying tempos experienced by slow or fast modes of transit, I capture fragments of nature within the urbane environment and the figures navigating its chaos. These scenes emerge as landscapes situated at the boundary between the figurative and the abstract.
Within the anonymity of megacities like Berlin or Seoul, the countless figures I encounter in passing become the starting point for my visual narrative. Within metropolitan life, surrounded by countless individuals and minimal nature, objects that catch our gaze appear and vanish rapidly. The figures appearing in the paintings originate from curiosity about strangers encountered on the street, existing as forms celebrating the coincidental encounter between myself and the subject. The process of recalling a subject chosen from memory and translating it into painting is an act of rediscovery, granting the figure sufficient time and exploring it through an earnest gaze.
MORE ABOUT HAJIN JEONG
Website
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ALENA AHRENS
Consequential Field (19.5°), 2026
pastel on Kozo paper
40,6 x 40,6 cm (variable)
Day 4 of our 16th ART MATTERS online group exhibition: Today we are delighted to introduce the contemporary Asian-American artist ALENA AHRENS (*1979). In her work, Ahrens uses restrained colour palettes and minimal colour intervals to explore the relationship between colour, light and perception. Subtle colour gradients and coordinated tonal shifts create fields that convey atmospheric tension rather than expressive gesture. Her minimalist forms incorporate a measured tilt or spatial shift that animates the surface and allows the colour to function not as an image, but as a perceptual event. Read more about Alena Ahrens and her work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
"My heritage is influenced by spirit keepers; the bricklayers, fisherfolk, Baptist deacons, Buddhist monks, graffiti walls, planters, and transcendental mantras. I come from the American Midwest and Southeast Asia, places with distinct and contrasting views of the self. The convergence of these two worlds, each with its own traditions, values, and perspectives, inspire me to explore themes of cultural hybridity."
Alena Ahrens is a contemporary Asian American artist whose practice reconsiders Color Field painting through her concept of the displaced field. Working across painting and minimal wood or paper structures, she investigates how a field shifts — physically, perceptually, and philosophically — when subjected to tilt, division, and consequential progression.
In her paintings, Ahrens employs restrained color indices and minimal chromatic intervals to explore the relationship between color, light, and viewing. Subtle gradients and calibrated tonal shifts create fields that register atmospheric tension rather than expressive gesture. Her minimal forms integrate a measured lean or spatial displacement that activates the surface, allowing color to function not as image but as a perceptual event.
Across both painting and folded structures, the field is treated as relational and unstable. A tilt, a fold, or a recursive arc becomes a generative system through which the rectangle expands beyond itself. Informed by her bicultural Asian American experience, Ahrens engages minimalism through embodied awareness and relational geometry. The work proposes the field not as a fixed expanse, but as something displaced — activated through orientation, proportion, and lived measurement — inviting viewers into a heightened perception of balance, light, and presence.
Ahrens has exhibited in solo and group shows at the Zhou B. Art Center (Chicago, IL), Tipi Project (Brooklyn, NY), MoMA PS1 (New Y ork, NY), DAMU Theatre (Prague, CZ), and ARTROOM (Lisbon, PT). She has participated in international residencies at Residency Unlimited (New Y ork), Château Orquevaux (France), and Hangar Arts (Lisbon). In 2025 a selection of her Satori paintings were acquired by the J.P. Morgan Chase Art Collection.
MORE ABOUT ALENA AHRENS
Website
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JOHN BRENNAN
The Mask, 2026
oil on canvas
55 x 45 x 4 cm
Day 3 of our 16th ART MATTERS online group exhibition: British painter JOHN BRENNAN (*1966 in Liverpool, lives and works in Oxfordshire) is our third of nine finalists. Through painting, the artist explores his fascination with unease, the unknown and the mysterious, deliberately creating ambiguity in the process. The result is one of haunting beauty. Read more about John Brennan and his work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
Emotional and contextual tension is the underlying focus of my painting. I’m fascinated by a subtle sensation that I’ve come to recognise and regard as a visual paranoia of sorts. It can be present in a wide range of subject matter, the common denominator being a sense of the uncanny, the enigmatic, or just a nagging doubt. It could be a landscape that feels both uplifting and menacing, a calm facial expression that hints at an underlying darkness, or a posture that suggests both invitation and rejection. It’s these tensions that I find compelling.
I work from a mix of my own photographs, together with generated and found sources, either transcribed intact or altered to form new scenes. Through the process of painting, I selectively heighten or modify the qualities in the source that first caught my attention.
The fiction and popular culture of my childhood and early teenage years plays a role in my choice of subjects, more as inferences than direct quotes. The result is a disparate collection of subjects. In my head they connect and inhabit the same world.
MORE ABOUT JOHN BRENNAN
Website
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NOAH KASHIANI
Constant Pressure System, 2025
acrylic, polystyrene, plastic water toys
76 x 63 x 15 cm
Day 2 of our 16th ART MATTERS online group exhibition: Today we are delighted to present a sculptural wall installation by the emerging Chicago-based artist NOAH KASHIANI (*1992). As a first-generation Iranian-American artist, his work explores how dominant systems reshape cultures and the human pursuit of profit and power. Kashiani draws on the visual language of consumer culture, glorifying the assimilating nature of human consumption whilst simultaneously exploiting our vulnerability to the American dream. Read more about Noah Kashiani and his work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
“It must be beautiful, if you cannot read.”
This was playwright George Bernard Shaw’s first reaction to seeing neon signs in New York City in 1931. The spectacle, the distraction.
I am finding the pleasure in this manufactured armageddon. My work explores the fine line between critique and the worship of commodity, using sculptural forms to expose the absurdity embedded in contemporary material culture. I adopt trends and the fleeting nature of today’s consumer habits, revealing how today’s obsession becomes tomorrow’s relic.
The objects I work with are molded in bright, shiny, and, more often than not, petroleum-based material. Designed to be attractive, efficient, and mindlessly consumed. By re-contextualizing them, I highlight how these once-beloved items quickly shift from cultural fixation to environmental and civilizational burden. They stand as synthetic relics, timestamping our cycles of competitive consumption and the legacy of materials that outlive their relevance.
These sculptures reflect how far we have drifted from our humanity. The skills, labor, and cultivation once necessary for surviving have been replaced by an identity economy built on display, branding, and pageantry.
My perspective as an Iranian-American has sharpened my awareness of how dominant cultural flows, particularly Western consumer ideologies, permeate societies, shaping desires, values, and practices while often eroding local or traditional modes of living. What was once essential now appears only as ornament or performance, absorbed into the churn of self-presentation. I underscore how our material desires mask a disconnection from the practices that once defined human existence.
Together, these works mirror the comedy and collapse embedded in our contemporary condition, asking us to consider what remains when the spectacle fades and the consumption persists.
MORE ABOUT NOAH KASHIANI
Website
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JOSH JUETT
Cobbled Together, 2024
oil on canvas
150 x 120 cm
Today we launch our 16th ART MATTERS online group exhibition with a presentation of the submitted work by Australian artist JOSH JUETT (*1991). Juett’s work is teeming with objects imbued with obscure symbolism, characterised by a high level of detail that reflects his appreciation for classical painting techniques. The artist combines these ideas with elements of pop culture to create works that are both thought-provoking and, in a quirky way, entertaining. Read more about Josh Juett and his work below.
We have selected a total of 9 finalists from the applications received in response to our last Open Artist Call. Until 7 April, we will present these artists and their submitted works one after the other here on our website and on Instagram. Every day at 6pm CET we will unveil another name and present a new artwork, so that the exhibition slowly comes together as a whole.
On Wednesday 8 April at 5pm and at 6pm, we will announce the 2 winners of our online competition: they will be invited to participate in the 2nd physical ART MATTERS group exhibition in our gallery in Cologne. The opening is scheduled for early December 2026, and two further participants – Citlali L. Halfar and Kyungseo Lee – were selected last autumn as part of our open call, ART MATTERS 15.
STATEMENT
Josh Juett (*1991) is an artist living and working in Adelaide, South Australia.
Since graduating from the University of South Australia in 2021 (Bachelor of Visual Art), he has presented multiple solo exhibitions, exhibited nationally and internationally, and undertaken a range of artist residencies in Australia and abroad.
Working primarily in painting, Juett’s practice investigates how we perceive and construct the world around us. He is interested in the ways identity forms through the accumulation of memory and lived experience, translating these internal processes into densely layered compositions. Drawing from the technical precision and tonal drama of Dutch Golden Age painting, his works operate as psychological still lifes containing intimate reflections of how he sees himself and the world.
Through association, recollection, and distortion, Juett populates his canvases with warped objects suspended in ambiguous, void-like spaces, akin to imagery glimpsed behind closed eyelids. He develops a cryptic personal symbology to articulate anecdotal truths and invite sustained reflection. Leaning into visual and conceptual abstraction while maintaining the rigour of realism, his paintings initially appear coherent, only to subtly destabilise under closer scrutiny. In doing so, Juett uses abstraction as a means to illuminate the often misunderstood and contradictory aspects of human experience.
MORE ABOUT JOSH JUETT
Website
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ART MATTERS 15
Online Group Exhibition
Winners
Citlali L. Halfar and Kyungseo Lee
As winners of ART MATTERS 15, Citlali L. Halfar and Kyungseo Lee will participate in our second physical ART MATTERS group show in our Cologne gallery. The exhibition opens on 4 December and two further participants will be selected via our ART MATTERS 16 competition in spring 2026.
FINALE: Wednesday 17 December
CITLALI L. HALFAR – Winner 2/2
And now for the next announcement of the evening: Congratulations to CITLALI L. HALFAR, the 2nd from 2 winners of our 15th ART MATTERS online competition. The young artist with Mexican roots (*2004 in Stuttgart, DE) is currently still studying at the Düsseldorf Art Academy. Although she is only 21 years old, her works already show remarkable artistic maturity. Her honest, subtly sensitive portraits fascinate and inspire us with their painterly quality and content, and we are delighted to be able to show a selection of her paintings in our Cologne gallery from 4 December 2026 – together with Kyungseo Lee, the other winner of our online contest. (Two more participants will be selected via ART MATTERS 16 in March/April 2026!)
In her oil paintings, Citlali L. Halfar depicts people from her immediate environment, often in classic portrait situations, all based on real, informal situations from their everyday lives. The concept of memory plays an important role in this. By elaborating on a person in a selected moment, the artist has to deal with every detail of that moment and thus experiences this memory again in a differentiated way from her current perspective.
‘I look for moments that express my perception of their realities and thus capture their personalities. These are usually moments when they are very calm and preoccupied with themselves, as this is when their characters are most clearly recognisable.’
CITLALI L. HALFAR
STATEMENT
As a teenager, I mainly worked with graphite, and since starting university, I have devoted myself almost exclusively to oil painting. However, people have always been the subject that interests me the most by far.
More specifically, I depict people in my immediate environment whom I know very well, because that is the only way a picture can be interesting to me. I often portray them in classic portrait situations, all of which are based on real, unposed situations that I encounter in my everyday life.
The concept of memories plays a particularly important role in my painting, as by elaborating on a person in a selected moment, I have to confront every detail of that moment and thus relive this memory in a differentiated way from my current perspective. In recent years, I have often depicted scenarios that I did not witness myself, but which are nevertheless closely interwoven with my life. These were mostly references from my mother, which allow me to understand her role before my existence and thus explore her and my Mexican background.
However, my painting currently focuses mainly on my two younger sisters, who are slowly approaching adulthood. The contradictions that arise in this stage of life and the aesthetics that an individual person indulges in are reflected in my depictions.
I look for moments in which my perception of their realities of life is expressed, thus capturing their radiant personalities. These are mostly moments when they are very calm and preoccupied with themselves, as this is when their characters are most noticeable.
CV
Citlali L. Halfar
*2004 in Stuttgart, DE
lives and works in Düsseldorf, DE
Education
2022-23
- Orientation Course Kunstakademie Düsseldorf
2023-25
- Kunstakademie Düsseldorf with Prof. Ellen Gronemeyer
since 2025
- Kunstakademie Düsseldorf with Prof. Kati Heck
Selected Exhibitions
2025
- Group Show ART MATTERS 15, Galerie Biesenbach, Cologne (online)
- Kuboshow Art Fair
- CASA Group Show, AstA-Ausstellungsraum, Düsseldorf
- Fresh Positions Group Show, BBK, Düsseldorf
2024
- Kombi Group Show, Kunstquartier Bethanien, Berlin
- Kuboshow Art Fair
- Gruppenausstellung, Kunstzentrum Wachsfabrik, Cologne
2022
- Duo Show ,,Story Lines"
Work Experience
since 2024
-Assistant Painter (Working Student), Studio Vivian Greven
__________
__________
KYUNGSEO LEE – Winner 1/2
It is time to announce the 1st from 2 winners of our 15th ART MATTERS online competition: Congratulations to KYUNGSEO LEE, whom we hereby invite to participate in the 2nd physical ART MATTERS group exhibition at our gallery in Cologne. (The 2nd winner will be announced at 6pm!)
The emerging artist Kyungseo Lee (*1995 in South Korea) lives and works in London. She earned her Master of Arts in Painting from the Royal College of Art (2023) and her Bachelor of Arts in Painting and Visual Communication Design from Hongik University (2020). Lee was selected as an artist in residence at the Cité Internationale des Arts (Paris, 2016) and the PADA Artist Residency (Lisbon, 2023).
Kyungseo Lee's erotically charged paintings challenge the viewer to confront their own ambivalence towards the theme of ‘body image’. Although the artist's style has recently shifted from a more figurative style to abstraction, the human body remains an integral part of her work.
Lee works with a loose painting style in which the figures quickly merge with surface markings and gestures. A sometimes rather uniform colour palette oscillates with more vigorous use of lively brushstrokes in stronger colours. Her work promotes physical eroticism in contemporary painting. It invites different ways of viewing and interpreting, and although abstract landscapes are also present, it is above all the hidden voyeuristic windows that captivate us most. We are delighted to be able to show a selection of her paintings from 4 December 2026.
KYUNGSEO LEE
Exchange, 2025
oil on canvas
25,5 x 20 cm
STATEMENT
Within my practice, I explore the conflicting emotions and values towards the human experience. The erotically charged images serve as a stressor to the viewer, challenging one’s own ambivalence on the topic of ‘body image’. Grey areas in between the binaries of bodily celebration and objectification, right and wrong, good and evil have been a continuing topic and interest for me. Experiencing the polarised society in Korea especially in my generation, has drawn me to explore the spaces in between. I am also driven by a genuine curiosity and admiration for how each individual carries their own universe of values and experiences.
The figures in my paintings morph into abstraction, shifting from form to expression. I have been specifically working on the fluidity in my paintings. To achieve this, I choose to pull back and restrain the brush, leaving parts of the canvas empty. I let the colours flow and merge themselves, bringing ambiguity to its fullest extent. Working with a loose painterly style, the figure soon dissolves into surface marks and gestures.
CV
Kyungseo Lee
*1995 in South Korea
lives and works in London
Education
2021-23
- MA Painting, Royal College of Art, London, UK
2014-20
- BFA Painting, Hongik University, London, UK
2016-20
- BFA Visual Communication Design, Hongik University, Seoul, Korea
2016
- Illustration (Exchange Programme), Paris College of Art, Paris, France
2011-14
- Seoul Arts High School, Seoul, Korea
Solo Exhibitions
2024
- Phosphenes, Gallery Belenius, Stockholm, Sweden
- Demian, Makasiini Contemporary, Turku, Finland
2021
- Love Me/Love Me Not, LKIF Gallery, Seoul, Korea
Group Exhibitions
2025
- ART MATTERS 15, Galerie Biesenbach, Cologne, Germany (online)
- Dolce Far Niente, MyMA, US (online)
- The Self-Portrait Prize Exhibition, Ruth Borchard Collection, UK (online)
- EXH15, Floorr Magazine, UK (online)
- Open Studio, Revue Studios (Soho Revue Residency), London, UK
2024
- Walk While You Have the Light, Safehouse 1, London, UK
- In the Emancipation of Self, D Contemporary, London, UK
- Carnalia (Duo Exhibition with Hannah Lim), Blue Shop Gallery, London, UK
2023
- This is Not a Toxic Field, Galleria PADA (PADA Residency), Lisbon, Portugal
- SSA 125th Annual Exhibition, Maclaurin Art Gallery, Ayr, UK
- RCA Painting Degree Show, The Truman Brewery, London, UK
- Works on Paper 5, Blue Shop Cottage (now Blue Shop Gallery), UK (online)
- South Open, OHSH Projects, Peckham Arches, London, UK
- Old and New, Show and Tell x Pick and Place, Seoul, Korea
2022
- 1:1:1, KO Art & Antiques, UK (online)
- Oneiric, Purslane Art, UK (online)
- TERRA, SET Studios Gallery, London, UK
- Collaboration with The Little Scarlet Door, Soho Revue, London, UK
- Works on Paper 4, Blue Shop Cottage (now Blue Shop Gallery), UK (online)
- Come One Come All, The Function Suite, London, UK
- RAW, Soho Revue, London, UK
- WIP Show, Royal College of Art, UK (online)
2021
- Drying Time, Gallery 100_0, Seoul, Korea
2020
- Poster Factory, 9AND, Seoul, Korea
2019
- BFA Degree Show (Visual Design), Hongik University, Seoul, Korea
2018
- BFA Degree Show (Painting), Hongik University, Seoul, Korea
2017
- Open Studio, Department of Painting, Hongik University, Seoul, Korea
- FLESH, Gallery HOARD, Seoul, Korea
2016
Open studio with Reeha Lim, Cité Internationale des Arts, Paris, France
EMERGENCE, Le Pavé d'Orsay, Paris, France
Awards & Scholarships
2025
- The Self-Portrait Prize (Longlist), Bournemouth, UK
- Jackson’s Art Prize (Extended Longlist), London, UK
2022
- The Waverton Art Prize (Longlist), London, UK
2017
- Adobe Design Achievement Awards (Semifinalist), California, USA
- Overseas Scholarship, Hongik University, Seoul, Korea
Residencies
2025
- Revue Studios (Soho Revue Gallery), London, UK
2023
- PADA Studios Artist-in-Residence, Lisbon, Portugal
2016-17
- Cité Internationale des Arts Residency, Paris, France
Collaboration
2022
- Exhibition and Artwork Acquired by Nike, Nike SNKRS Hongdae, Seoul, Korea
Teaching Experience
2023
- Artist Talk and Tutorial, Anglia Ruskin University (ARU), Cambridge, UK
- Artist Talk and Workshop, University for the Creative Arts (UCA), Farnham, UK
2022
- Workshop, Camberwell College of Arts (UAL), London, UK
__________
__________
Our final TOP 9 is complete – thank you for participating in our online group show ART MATTERS 15 (from top left):
Citlali L. Halfar – Chiau-Syuan Chai – Francisco Gonzalez Camacho
JKB Fletcher – Raha Rastifard – Francesco Gioacchini
Stephen Whatcott – Ruud Simons – Manuel Rumpf
Tonight at 5pm and at 6pm we will announce the 2 winners of our ART MATTERS 15 online competition!
About ART MATTERS 15:
For the 15th edition of ART MATTERS, it was once again difficult for us to select only 9 artists for our online show from the many outstanding submissions we received in response to our latest Open Artist Call.
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for about two weeks, three times a year.
Many thanks to everyone who has been following this project and many thanks also – above all – to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (some of whom we are still presenting today in our Instagram Stories).
____________________
ART MATTERS 14 – Special Summer Edition
Online Group Exhibition
Winner
Rafael Triana
As the winner of ART MATTERS 14, Rafael Triana will participate in our physical group exhibition Still Life at our gallery in Cologne. The exhibition will open in early September 2026.
FINALS DAY: Wednesday 27 August
RAFAEL TRIANA – Winner "ART MATTERS 14: Still Life"
It's time to announce the winner of our 14th ART MATTERS online competition: Congratulations to Paris-based artist RAFAEL TRIANA (*1988 in Ciego de Ávila, Cuba), whom we hereby invite to participate in the group exhibition ‘Still Life’ at our gallery in Cologne, opening in early September 2026.
When we launched our call for entries on the theme of ‘Still Life’ a few weeks ago, we had no idea what the resulting online exhibition would look like, as this naturally depends on the submissions. But we had an idea from the beginning of what the physical ‘Still Life’ exhibition in our gallery should look like. And Rafael Triana fits our vision perfectly!
In making our selection (both for the online exhibition and the winner), it was important to us to consider certain characteristics of the classical art form of still life: the depiction/collection of inanimate objects, the compositional arrangement of these objects, the focus on aesthetics and texture, the play of light and shadow, and allegorical meaning. These characteristics are evident not only in Triana's submitted work, but throughout almost his entire oeuvre.
Triana's sculptural still life installation offers a contemporary reinterpretation of this art form: humorous, ironic and subversive. The artist uses vacuum drying technology to encapsulate plastic food, delivering a precise critique of the dynamics of control, dehumanisation and simulation inherent in today's migration and automation systems. In his own words: "The encapsulation, which functions as a formal and conceptual gesture, translates the language of automation and control into an aesthetic medium. Nylon and vacuum not only serve as containers, but also reconfigure the relationship between materiality and absence, prompting critical reflection on the commodification of human existence. Through this strategy, the work not only problematises the dynamics of exclusion and exploitation, but also highlights the process by which life itself is subsumed into a technocratic logic that privileges simulation and reproduction over human beings."
RAFAEL TRIANA
Vacuum Play, 2025
plastic toys for children, machine vacuum-sealed in industrial nylon bags.
dimensions variable: installation of over 120 pieces adaptable to the exhibition space
STATEMENT
I AM ALL THOSE THINGS I DIDN’T NEED
by Zoa Tamara, Theatre Critic, Cuba, 2025
Rafael’s practice does not conform to an object-based or formalist logic. He does not produce works: he enunciates positions. His work displaces art from the territory of representation toward a politics of the gesture, where language disintegrates, repetition empties out, and meaning fractures.
Rather than showing, he interrupts. Instead of building images, he breaks grammars. What is activated in his work is a poetics of dysfunction, where matter does not sustain but rather signals the impossibility of connection, the erosion of the communal, failure as operative core.
In his practice, repetition does not reinforce – it disarms. Each return is a distortion. Memory is not archive, but residue. Subjectivity is not identity, but exposure to instability. In that field of tension, the work operates as a short circuit in the perceptual regime: a place where art does not aim to represent, but to disobey.
For Rafael, art is not an object. It is a critical, ethical, and political position. A way of inhabiting the fissure, of insisting on the margin, of turning failure into language.
CV
Rafael Triana
Rafael Triana (Ciego de Ávila, Cuba, 1988) is a Paris-based visual and multidisciplinary artist. His practice operates at the margins of representation, exploring gesture, failure, and dysfunction as critical strategies. Working across performance, installation, video, object, sculpture, and digital drawing, his work disrupts conventional logics of language and perception. A Gold Diploma graduate in Scenography from the Instituto Superior de Arte (ISA) in Havana, his projects have been presented in theatrical, museum, and alternative spaces across Latin America and Europe.
www.rafael-triana.com
@rafaeltrianapez
Group Exhibitions
2024-25
- ART MATTERS 14, Galerie Biesenbach, Cologne (online) – Vacuum Play
- 13th Edition of BADA – International Contemporary Art Fair, Buenos Aires, Argentina – Regalo
- Galería La Sindicalista Estudio, Cáceres, Spain – Sinfonía de la lluvia
- LATINISMO Art & Education, New York, USA – TEST
- Crocker Art Museum, California, USA – Chromatic Transvaluation
- 54th Pollença Biennial Art Contest (Finalist), Palma de Mallorca, Spain – How to Fold a Flag?
- DATARTE Prize (Finalist), Madrid, Spain – Smell of War
- Galería Sur – Latin American Contemporary Art, Barcelona, Spain – Haute Couture
- Arte Laguna Prize (Finalist), Arsenale of Venice, Italy – Hunger for Gold
- Art Talent Fair Prize, MOHO Gallery, Arte Padova, Italy – Perfume
- PHNMN Fréquences Festival, Paris, France – Haute Couture
- VAO UK International Emerging Artist Awards (Finalist), London, UK – Strike
- Rencontres Archipel, Centre Wallonie-Bruxelles / Paris, France – Hunger for Gold and Deep Sleep
- ART BATTALION Vol. VIII, Madrid, Spain – Aspirations
- YICCA Art Prize (Finalist), Milan, Italy – Strike
- ARTBOX.PROJECT, Switzerland – The Weight of Emptiness
- Chianciano Biennale, Museum of Terme Art, Italy – Strike
2022-23
- COMBAT Prize (Finalist), Livorno, Italy – Overload
- Artist Film Screening, MACBA Museum, Buenos Aires, Argentina – Overload
- Faenza Festival, Madrid, Spain – Sandbank
- PerFoArtNet International Performance Biennial, Bogotá, Colombia – Sisyphus
- 5th NEMO Festival (Tatami), Priego de Córdoba, Spain – Atlas
- 60Seconds Festival & One-Off Moving Image Festival, Copenhagen, Denmark – Home
2021-22
- Published in Al-Tiba9 Contemporary Art Journal, Barcelona, Spain – Paralelo
- Published in Chroma Agency Digital Journal, Germany – Paralelo
- CLASH, THE HOLY ART Gallery, London, UK – Paralelo
- Group Exhibition, La Salita, Barcelona, Spain – Paralelo
2018
- ELECTROCHOC, 31st Les Instants Vidéo Festival, Marseille, France – Overload
- Annecy International Animation Film Festival, France – Evolución
- Madrid Gráfica Festival, Spain – City Person
- Kontemporánea Festival, Basque Country, Spain – The Artist’s Insomnia
- AUTRES PAYSAGES Festival, La Tostadora, Colombia – Sandbank
- 3rd International Video and Animation Art Biennial VEA, Puebla, Mexico – Evolución
2017
- Cold Bench, London, UK – Sandbank
- MADATAC Festival, Spain – Overload
- VIDEO BABEL Festival, Peru – Evolución
- INTERMEDIACIONES Festival, Bogotá, Colombia – Exchange
- WOTISART Review, London, UK – Card Game
- CARTÓN Festival, Buenos Aires, Argentina – Overload
- 3rd CMUCH Biennial, Mexico – Overload
- International Human Rights Film Festival, Bogotá, Colombia – Tea Time
- Pirineos Sur Festival, Spain – Sisyphus
2016
- VIDEO BABEL Festival, Cusco, Peru – Post-fake Dictatorship
- CUVO Festival, Madrid, Spain – Ideological Construction
- SUR-KO Festival, Chile, Mexico, Colombia, Brazil – Middle Class
- Video Bardo Festival, Buenos Aires, Argentina – Dogfight
- International Video Mapping Festival, Girona, Spain – Collective Memory
- BANG International Video Art Festival, Barcelona, Spain – Propagation
- Without Cardinal Points, Fidencia Art Space, Mexico – Rage
- Today is Any Day, in the Middle of 2030, Círculo de Bellas Artes, Madrid, Spain – Rechargeable
- SIART International Biennial, La Paz, Bolivia – BIP – 20 Mud Spits
- BANG H2O / Contrast Gallery, Barcelona, Spain – Propagation
- BACOS International Biennial, Santa Cruz de Tenerife, Spain – Jeff Koons’ Burden (ATEO Collective)
2015
- FIVA – International Video Art Festival, Buenos Aires, Argentina – Horizons Bleus
- 6th International Video Art Festival, Camagüey, Cuba – Horizons Bleus
- 5th International Video Art Festival, Camagüey, Cuba – GTM Time Zone
- Young Art Gallery, Ciego de Ávila, Cuba – Fábulas
- Factoría Gallery, Havana, Cuba – Lantern
Solo Exhibitions
2022
- Espace 16PROD, Paris, France – I Am All Those Things I Didn’t Need
2019
- EAC – Museum of Contemporary Art, Uruguay – The Truth? It’s All a Lie
2018
- Stripart Gallery, Guinardó Civic Center, Barcelona, Spain – Control Z
2015
- THE VOLTA Gallery, Girona, Spain – Cubaland
2014
- Zalle Zero Gallery, Alliance Française, Havana, Cuba – Help
Collections
- Museum of Terme Art, Italy – Strike
- Bòlit Contemporary Art Museum, Girona, Spain – Collective Memory
- Video Art Collection, El Almacén de las Artes, City Council of Astillero, Spain – Overload
Awards and Distinctions
2018
- Honorable Mention, 3rd International Biennial of Video and Animation Art, Puebla, Mexico – Evolución
2017
- First Prize, Video Art Competition, City Council of Astillero – El Almacén de las Artes, Spain – Overload
- First Mention, FIVAC Festival, Camagüey, Cuba – Overload
- Special Mention, International Film Festival of the Five Continents, Caracas, Venezuela – Overload
2014
- First Mention, Revolución y Cultura Award, 14th Art Fair, Cuba – Missed Call
- First Prize, Design Center of Visual Arts, Luz y Oficio Gallery, Havana, Cuba – Missed Call
Residencies and Projects
2025
- Cité Internationale des Arts, Montmartre, Paris, France – Project: Overdose
2024
- Lo Pati – Centre d’Art, in collaboration with Bòlit Contemporary Art Museum, Girona, Spain – Project: Perfume
- „Cuidar y Cuidarnos" Residency, Ha.aH LABORATORY, MANIFESTA 15 Biennial, Barcelona, Spain – Project: Urban Trace
2018
- Audiovisual Residency MADATAC, Casa de Velázquez, Madrid, Spain – Project: The Death of the Artist
2015
- Bòlit Contemporary Art Center, Girona, Spain – as part of FIMG – International Video Mapping Festival – Project: No Setup, Pero Yo
__________
__________
Our final TOP 9 is complete – thank you for participating in our online group show ART MATTERS 14 – Still Life (from top left):
Julie Derbyshire – Harry van Renswou – Christiane Brams
Reinhard Hölker – Raha Rastifard – Diego Azzola
Friedhelm Falke – Rafael Triana – Vanessa Leissring
Tonight at 6pm we will announce the winner of our Art Matters 14 online competition!
About ART MATTERS 14:
For the 14th edition of ART MATTERS, it was once again difficult for us to select only 9 artists for our online show from the many outstanding submissions we received in response to our latest Open Artist Call on the theme of ‘Still Life’.
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for about two weeks, three times a year.
Many thanks to everyone who has been following this project and many thanks also – above all – to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (some of whom we are still presenting today in our Instagram Stories).
____________________
ART MATTERS 13
Online Group Exhibition
Winners
Jakob Limmer and Gabriele Ludewig
As winners of ART MATTERS 13, Jakob Limmer and Gabriele Ludewig (together with BERGERNISSEN and Hyein Jang, winners of our ART MATTERS 12 competition in December 2024) will participate in our first physical ART MATTERS group show at our Cologne gallery. The exhibition opens on 5 December 2025.
FINALS DAY: Wednesday 16 April
JAKOB LIMMER – WINNER 2/2 "ART MATTERS 13"
The time has come and we are announcing the second winner of our 13th ART MATTERS online competition: We congratulate the German artist JAKOB LIMMER (*1988, lives and works in Leipzig), whom we hereby invite to participate in the 1st physical ART MATTERS group exhibition in our gallery in late 2025 together with Gabriele Ludewig, BERGERNISSEN and Hyein Jang – the opening will take place on Friday 5 December!
What particularly interests us about Limmer's work is how the artist dissolves the concrete, questions its meaning and places it in new contexts. Series and repetitions are a defining aspect of his approach, not as static iterations, but as evolving confrontations. By engaging intensively with a technique, it develops into a symbolic act – an intersection at which social and mental mechanisms become visible.
Jakob Limmer studied media art at the Academy of Visual Arts Leipzig with Joachim Blank in the class for installation and space (2016-2020). He previously completed a degree in Sound Design at the Salzburg University of Applied Sciences in the Multi-MediaArt programme.
‘Structure and order form the field of tension in which my works are created. They appear as reliable systems, but at the same time reveal their rigidity and limits. My artistic research investigates the subtle mechanisms that shape order, abstracts them and transforms them into visual reflections on power and control.
The resulting works operate on the threshold between the familiar and the unfamiliar. My practice also extends to the audience: the materials used create a tactile physicality that simultaneously attracts and keeps at a distance. They point to hidden structures that shape human behaviour and encourage us to question the seemingly self-evident.’
JAKOB LIMMER
SRA/W 5 (sea green), 2023
stainless steel, silicone, pigment
96 x 48 x 28 cm
STATEMENT
Jakob Limmer (*1988 in Bamberg) studied media art at the Academy of Visual Arts Leipzig with Joachim Blank in the class for installation and space (2016-2020). He previously completed a degree in Sound Design at the Salzburg University of Applied Sciences in the MultiMediaArt programme.
Structure and order form the field of tension in which my works are created. They appear as reliable systems, but at the same time reveal their rigidity and limitations. My artistic research examines the subtle mechanisms that shape order, abstracts them and transforms them into visual reflections on power and control.
I dissolve the concrete, question its meaning and place it in new contexts. Series and repetitions are not mere reproductions, but ongoing, iterative confrontations. Through intensive research into a technique, it develops into a symbolic act - a point of intersection at which social and mental structures become visible.
The resulting works move on the threshold between the familiar and the unfamiliar. My practice also extends to the audience: the materials used create a tactile physicality that simultaneously attracts and keeps at a distance. They point to hidden structures that shape human behaviour and encourage us to question the seemingly self-evident.
At the core of my practice is the investigation of room for manoeuvre - understood as a fragile construct that must be constantly renegotiated. My works open up a space in which control, routine and order are dissolved and transformed - an experimental field that invites reflection on the systems in which we move.
CV
Jakob Limmer
1988 born in Bamberg, Germany
lives and works in Leipzig, Germany
www.jakoblimmer.de
@jakoblimmer
Education
2016-20
- HGB Leipzig, Class for Installation and Space Prof. Joachim Blank, Diploma
2010-13
- Salzburg University of Applied Sciences, MultiMediaArt, specialisation in Sound Design, B.A. in Arts & Design
Selected Exhibitions
2025
- ART MATTERS 13, Galerie Biesenbach, Cologne (online)
2024
- Positions Berlin Art Fair
- PREVIOUS IV, ODP Galerie, Leipzig
- s.t.e.i.n., ODP Galerie, Leipzig (solo)
2023
- PREVIOUS III, ODP Galerie, Leipzig
2022
- WHAT WE ALL WANT, Studio12, Halle 14, Spinnerei Leipzig
- SUBTLY DISSIDENT, ODP Galerie, Leipzig (solo)
- Positions Berlin Art Fair
- APPROACHING THE UNKNOWN, Galerie der HfbK Hamburg
- PREVIOUS II, ODP Galerie, Leipzig
- FLUID GROUNDS, a&o Kunsthalle, Leipzig
- TASTE OF SINS, nyg-west artspace, Leipzig
2020
- PLASTIK, ODP Galerie, Leipzig (solo)
- CALL FOR SUBMISSION, Galerie Baturina, Leipzig (solo)
2019
- WE ALL SHOULD BE LICHENS, A&O Kunsthalle, Leipzig
- ATMO, UG Halle 14, Alte Baumwollspinnerei (Spinnerei), Leipzig
- HUMAN PARTICLES OF THE LIVING SUN, The Art Foundation, Athens
Scholarships/Awards
2022
- Kickstart Stipendium der Stiftung Kunstfonds innerhalb des Projektes NEUSTART KULTUR
2021
- Arbeitsstipendium des Kulturamtes der Stadt Leipzig
__________
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GABRIELE LUDEWIG – WINNER 1/2 "ART MATTERS 13"
It's time to announce our decision and the first winner of our 13th ART MATTERS online competition (the second announcement will follow at 6pm!): We congratulate the German artist GABRIELE LUDEWIG (*1956, lives and works in Hamburg), whom we hereby invite to participate in the 1st physical ART MATTERS group exhibition in our gallery in winter 2025! Other participants in the exhibition, which will open on Friday 5 December: Hyein Jang and BERGERNISSEN, the winners of ART MATTERS 12, and the second winner of ART MATTERS 13 (announcement at 6pm).
In her artistic works, Gabriele Ludewig (1988 graduate of the Hochschule für bildende Künste Hamburg (HfbK) under Ulrich Rückriem, Klaus Bendixen and Franz Erhard Walther) is less concerned with representationalism than with the atmosphere that is conveyed in the objects. Her sculptures impress us with an intense energy that is not visible, but can only be felt. By creating new spaces of energetic concentration with shapes and colours, the artist succeeds in transcending the everyday.
‘With her new series of works ‘Balloons’, Gabriele Ludewig creates sculptures of condensed energy. Finely balanced curves of intense colour combine to form comic-like figures that radiate joy and vitality. The piled forms and colours transfer the principle of formulation and response in the painterly process to the sculpture. The balloons are both concrete and inspirational for imaginations that turn them into a society of idiosyncratic characters.’
GABRIELE LUDEWIG
Balloon No 12, 2024
Artstone
48 x 20 x 20 cm
(photos: Jessica Backhaus)
STATEMENT
With her new series of works ‘Balloons‘, Gabriele Ludewig creates sculptures of condensed energy. Finely balanced curves of intense colour combine to form comic-like figures that radiate joy and vitality. The piled forms and colours transfer the principle of formulation and response in the painterly process to the sculpture. The balloons are both concrete and an inspiration for the imagination, turning them into a society of idiosyncratic characters.
CV
Gabriele Ludewig
1956 born in Hildesheim, Germany
lives and works in Hamburg, Germany
www.gabrieleludewig.de
@gabriele.ludewig
Education
1974
- A-levels
- Hildesheim University of Applied Sciences Art and German Teacher Training Programme
1978
- 1st State Exam
1980
- 2nd State Exam
1981-88
- Hochschule für bildende Künste Hamburg (HfbK) under Ulrich Rückriem, Klaus Bendixen und Franz Erhard Walther
1988-96
- extended stays abroad in Asia
Selected Exhibitions
2024
- ART MATTERS 13, Galerie Biesenbach, Cologne (online)
- Balloons, nogallery, Cordts Art Foundation, Berlin
2012
- new abstractions, white trash contemporary, Hamburg
2011
- Open Studio, Berlin
2002
- Arte nella Cava, Seravezza, Italy
2001
- Ausufern: Skulpturenprojekt an der Lahn, Marburg, Germany
- Co Laboratorium, Servezza, Italy
2000
- Neue Kunst in alten Gassen, Bad Lasphe, Germany
1999
- In between, Hamburg
- Emergency: Dialoge zum Ausnahmezustand, Hamburg
- Open Village, Dilschhausen, Germany
1988
- Ich werde kommen und es wird Montag sein, Hamburg
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OUR TOP 9 AT ONE GLANCE:
Our final TOP 9 is complete – thank you for participating in our online group show ART MATTERS 13 (from top left):
Eva Dijkstra – Zurab Arabidze – Petko Stoevski
Gabriele Ludewig – Ömer Faruk Kaplan – Sebastian Jauregui
Oliver Schuß – Tae Dong Lee – Jakob Limmer
Tonight at 5pm and again at 6pm we will announce the 2 winners of our Art Matters 13 competition!
About ART MATTERS 13:
Even with the 13th ART MATTERS round, it was not easy for us to select only 9 artists for our online exhibition from the many great submissions we received in response to our last Open Artist Call. But it was a great pleasure to discover and get to know so many great artistic positions!
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for about two weeks, three times a year.
Many thanks to everyone who has been following this project, some for 13 editions already, and many thanks also – above all – to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (some of which we are still presenting today in our Instagram stories).
____________________
ART MATTERS 12
Online Group Exhibition
Winners
BERGERNISSEN (Alisa Berger & Lena Ditte Nissen) and Hyein Jang
As winners of ART MATTERS 12, BERGERNISSEN and Hyein Jang will participate in our first physical ART MATTERS group show in our Cologne gallery. The exhibition opens on 5 December and two further participants will be selected via our ART MATTERS 13 competition in spring 2025.
FINALS DAY: Wednesday 18 December
HYEIN JANG – WINNER 2/2 "ART MATTERS 12"
The time has come and we are announcing the second winner of our 12th ART MATTERS online competition: We congratulate the South Korean artist HYEIN JANG (*1993, lives and works in Karlsruhe and Würzburg), who we hereby invite to participate in the 1st physical ART MATTERS group exhibition in our gallery in winter 2025 together with the already announced winning duo BERGERNISSEN! (2 more participants of the exhibition will be selected through our next Open Call in March/April 2025! Save the date!!) The young artist's work fascinates us with its impressive emotional depth.
Hyein Jang studied at Kyonggi University in Suwon South Korea and at the State Academy of Fine Arts Karlsruhe, where she completed her master's degree with Professor Daniel Roth. In her textile works, fabric installations are superimposed, creating a 3D effect and making the work appear to be in motion. The imperfection of our feelings and memories is expressed through repeated hand stitches.
Emotions are in a constant state of flux and are constantly being restructured within relationships. In her poetically touching work Wodurch werden sie bewegt, Jang depicts this through ‘fabric-like layers’. Over time, emotions can fade in our memories, but the more the layers overlap, the more intensely and clearly they emerge. These layers of fabric break out of the frame of the canvas and move freely in the wind, symbolising the imperfection of emotions. "The fabrics, which have different lengths, move with the wind caused by people passing by. This shows how emotions change and are influenced by relationships with others. With this representation I have visualised the imperfection of emotions and their reconstruction."
HYEIN JANG
Wodurch werden sie bewegt, 2024
hand sewing on fabric
210 x 120 cm
STATEMENT
The memory of emotions
In the society in which we live, our emotions are strongly influenced by our environment and other people. They are constantly changing, and this change also causes changes in ourselves. The self of the past, present and future can be different in each case.
However, these changes can return to their original state or be transformed into a new form through relationships with other people. Emotions are in a constant state of flux and are constantly being restructured within relationships.
I have visualised this through ‘fabric-like layers’. Over time, emotions can fade in our memory, but the more the layers overlap, the more intense and distinct they emerge. These layers of fabric break out of the frame of the canvas and move freely in the wind, symbolising the imperfection of emotions.
The fabrics, which are of different lengths, move with the wind caused by people passing by. This shows how emotions change and are influenced by relationships with others. With this representation, I have visualised the imperfection of emotions and their reconstruction.
Hyein Jang (*1993 in Gyeryong, South Korea) lives and works in Würzburg. She studied at Kyonggi University in Suwon South Korea and at the State Academy of Fine Arts Karlsruhe and completed her master's degree at the State Academy of Fine Arts Karlsruhe under Professor Daniel Roth.
CV
Hyein Jang
born 1993 in Gyeryong, South Korea
lives and works in Karlsruhe, DE
Education
2023-2024
- Master student, State Academy of Fine Arts Karlsruhe with Prof Daniel Roth
2018-2023
- Free Art (Graphics & Painting), Diploma Programme, State Academy of Fine Arts Karlsruhe with Prof. Daniel Roth, Olaf Quantius
2012-2016
- Fine Arts, Kyonggi University, Suwon, South Korea
Selected Exhibitions
2024
- Group Show, ART MATTERS 12, Galerie Biesenbach, Cologne (online)
- Group Show, "ARE YOU HAPPY REALLY, AGAIN“, Puchheimer Kulturzentrum PUC, Puchheim
- Duo Show, “Never-ending ever-expanding”, Luisleu Galerie, Karlsruhe
- 4th Southwest German Art Prize, Stiftung Kreissparkasse Esslingen-Nürtingen
- VIII Ellwangen Art Exhibition 2024, im Kunstverein Ellwangen e.V.
- Dounaueschinger Regionale 2024, Donaueschingen Donauhallen, Bartók
- TOP_0024, The master students of the State Academy of Fine Arts Karlsruhe at the Ettlingen Museum and on the Wilhelmshöhe
- Kunst im Klub, the 19th Restaurant_Bar_lounge, Karlsruhe
- Karlsruhe Academy Square, Art Karlsruhe 2024
- Solo Show, "Come to mind" Swimmingpool Galerie, Berlin
2023
- Annual exhibition 2023, State Academy of Fine Arts Karlsruhe, juried and curated: Prof Franz Ackermann, Rita Vitorelli and Christian Kobald, Prof Marijke van Warmerdam, Prof Axel Heil
- Diploma exhibition, ‘Echo of memories’, Staatliche Akademie der Bildenden Künste Karlsruhe
2022
- Annual exhibition 2022, State Academy of Fine Arts Karlsruhe, juried and curated: Prof. Corinne Wasmuht, Prof. Sophie von Hellermann and Prof. David Ostrowski
2021
- NICHT KUSSEN NICHT HAUEN‘, Kunstparcours in Durlach Karlsruhe
2020
- Junge Kunstler*innen in der Villa, Kunstverein Neustadt an der Weinstraße e.V.
2019
- Kunst-, Handwerk-, Design- und Weihnachtsmesse Karlsruhe, Regierungspräsidium am Rondellplatz
2017
- 25 minutes before scattering, Städtische Galerie Suwon, Suwon, South Korea
2014
- The young painter in a new year, Galerie Gaia, Seoul, South Korea
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BERGERNISSEN – WINNERS 1/2 "ART MATTERS 12"
It's time to announce our decision and the first winners of our 12th ART MATTERS online competition (the second announcement will follow at 6pm!): We congratulate the artist duo BERGERNISSEN (consisting of Alisa Berger and Lena Ditte Nissen, both born in 1987), who we hereby invite to participate in the 1st physical ART MATTERS group exhibition in our gallery in winter 2025! We are particularly impressed by the artists' subtly critical approach to controversial topics.
BERGERNISSEN have been working together on performative, filmic and curatorial projects since 2011 and deal with subjective mythologies and psychological spaces in their work. "The material of our work are group processes, collectively experienced realities and our relationship to cultural institutions. The illusionistic potential of film and cinema is a source of inspiration for the development of our performances and happenings that simulate realities. At the turning point where reason could destroy the illusion, the illusion solidifies to the point of incorruptibility, while at the same time the illusion appears fragile in precisely those places where it should appear consistent and self-evident."
The work European Sleep, submitted by BERGERNISSEN for ART MATTERS 12, is a hauntingly unsettling installation in which a suspended ceiling is faked and a fog machine is installed in it, which channels its smoke through a smoke detector. Instead of reacting to the smoke, the detector itself produces smoke. The work, which quickly reminds the viewer of a kind of gas chamber with an office aesthetic, reflects the problem of security and vigilance as a prerequisite for the destruction of freedom.
BERGERNISSEN
Alisa Berger & Lena Ditte Nissen
European Sleep, 2024
installation consisting of smoke detectors, fog machine, suspended ceiling, wood, plaster, ceiling-lights
dimensions variable
STATEMENT
The material of our work consists of group processes, collectively experienced realities, and our relationship to cultural institutions. The illusionistic potential of film and cinema serves as inspiration for the development of our performances and happenings that simulate realities. At the turning point where reason could destroy the illusion, the deception is consolidated to the point of being incorruptible, while simultaneously the illusion appears fragile in precisely the places where it should seem consistent and self-evident.
Through ritualistic actions or scientific research – and in collaboration with protagonists, objects, and institutional structures – we create situations that illuminate the artificial connections between science, art, spirituality, and politics. The viewer can intervene or withdraw. This exploration of illusory boundaries and their transgression unfolds its power through happening and performance, penetrating into the reality of the viewer.
With European Sleep, BERGERNISSEN create a fake suspended ceiling inside and install a fog machine within it, which directs its smoke through a smoke detector. The smoke detector on the drop ceiling is the only visible object in the room. Instead of reacting to the smoke, the detector generates smoke itself. The system is controlled by a timer, which lets the fog out in short intervals. The work, that quickly reminds the viewer of a sort of gas chamber with office aesthetics, reflects on the problem of security and alertness as a premise for the destruction of freedom. In recent years, freedom and security have often been juxtaposed in the European media in order to concern the masses with the ideas of total surveillance.
CV
Alisa Berger
born 1987 in Makhachkala, Republic of Dagestan, Russia
lives and works in Paris
www.alisabergermun.com
@alisa.berger.mun
www.bergernissen.com
@bergernissen
Education
2022-2024
- Le Fresnoy - Studio national des arts contemporains, Promotion Claude Lévi-Strauss, Tourcoing, FR
2010-2016
- "Media Art" at the Academy of Media Arts Cologne, Cologne, DE
2013
- "Artes Plasticas" at Universidad Nacional de Colombia, Bogotá, COL (international exchange)
2010
- Psychology at the University of Hagen, Hagen, DE
Artistic Collectives/Collaborations
- since 2021 working with Maria Wildeis as sound art duo SONGS FOR SEALS
- since 2019 founded FORTIS FEM FILM production company
- since 2011 working with Lena Ditte Nissen in artistic duo as BERGERNISSEN
Selected Film Festivals
2024
- IDFA International Doc. Fest. Amsterdam Doclab - Immersive Non-Fiction Competition, Amsterdam, NL
- Gimme Some Truth - Dave Barber Cinematheque, Winnipeg, CA
- 14° Sicilia Queer filmfest – International New Visions Festival, Palermo, ITA
- 31° Hot Docs Canadian International Documentary Festival, screening, Toronto, CA
- 21o CPH:DOX Copenhagen International Documentary Film Festival , screening, Copenhagen, DK
- 16o Imagine Science Film Festival, screening, New York, USA
- 56o Sitges Festival Internacional Cinema Fantastic, screening, Spain
- 19o Lucca Film Festival. Italy
2023
- 30° Hot Docs Canadian International Documentary Festival, screening, Toronto, CA
- 41° Festival Cinematográfico Internacional del Uruguay, screening, Montevideo, Uruguay
- Onion City Film Festival, screening, Chicago, USA
2022
- New Orleans Film Festival, screening, New Orleans, USA
- Saigon Experimental Film Festival IV, screening, Saigon, Vietnam
- 18o Lucca Film Festival, screening, Lucca, Italy
2018
- Sci-Fi Film Festival, screening, London, UK
- International Video Art Festival Now&After, Artplay St. Petersburg, group, St. Petersburg, RU
- DC Independent Film Festival, screening, Washington DC, USA
- Filmmor Women Film Festival Istanbul, screening, Istanbul, TURKEY
- Internacional Festival Cinematográfico del Uruguay, screening, Montevideo, URUGUAY
2017
- Filmfestival Max Ophüls Prize, screening, nominated for best feature film, Saarbrücken, DE
2016
- San Diego Underground Film Festival, screening, San Diego, USA
Selected Group Exhibitions/Screenings/Performances
2025
- Kunstpalast: Die Grosse, performance / group, Düsseldorf, DE
2024
- ART MATTERS 12, Galerie Biesenbach, Cologne, DE (online)
- Neuer Aachener Kunstverein, Benefiz Auktion, group, Aachen, DE
- London Migration Film Festival / Screening Rights, Lexi Cinema, screening, London, UK
- Midlands Art Centre Birmingham / Screening Rights Film Festival, screening, Birmingham, UK
- Pochen Biennale
- “Ex Oriente” , bergernissen, with Lena Ditte Nissen, group, Chemnitz, DE
- Le Fresnoy “Panorama 26”, group, Turcoing, FR
- Tokyo Metropolitan Art Museum, group “Unforeseen Deviations”, Tokyo, JP
- Biennale NOVA_XX: Plurivers & Contingence, Centre Wallonie Bruxelles, group, Paris, FR
2023
- Neuer Aachener Kunstverein, Benefiz Auktion, group, Aachen, DE
- Le Fresnoy “Panorama 25”, group, Turcoing, FR
- Neuer Kunstraum Düsseldorf “TV Gardener”, group, Düsseldorf, DE
- Fire Flies V - Malkasten Kunstverein, group, Düsseldorf, DE
- Sinema Transtopia, screening, Berlin, DE
2022
- Smithsonian's National Museum of Asian Art, screening, Washington DC, USA
- Kunsthaus NRW Kornelimünster, group, Aachen, DE
- NKR Neuer Kunstraum Düsseldorf VOR DEN BILDERN, group, Düsseldorf, DE
- Diaspora Film Festival, screening, Incheon, KR
- Institut français du Japon, Kyotographie Photography Festival CROWNLETTER, group, Kyoto, JPN
2021
- XIV Krasnoyarsk Museum Biennale, Museum Ploshad Mira, group, Krasnoyarsk, RU
- Kunstverein Malkasten, “Starke Frauen in Kunst und Kultur” Frauenkulturbüro NRW, group, Düsseldorf, DE
- Weltkunstzimmer, “GHOST3”, group and curation of performances, Düsseldorf, DE
- Kunstverein Leverkusen Schloss Morsbroich, performance w/ Manfred Ruecker and Maria Wildeis, Leverkusen, DE
2020
- Literatur Biennale Wuppertal, performance w/ Thorsten Krämer, Andreas Oskar Hirsch, Taka Kagitomi, DE
- Lyrikfestival Literaturhaus Köln “Satelliten” , performance w/ Thorsten Krämer, Cologne, DE
- Kunstverein Malkasten “Culture Loop: Strange days - Erinnerung ist ein Gespenst” online with Dr. Doris Krystof (K21), Düsseldorf, DE
- Striped House Gallery, Arata-Alicia Kitamura’s “MURASAME in Pandemic Day”, performance Tokyo, JP
- SOLO Seoul Art Space Geumcheon “K-Saram”, solo exhibition, Seoul, KR
2019
- KOMAGOME 1-14 contemporary art space “Oriental Discourse” , group, Tokyo, JP
- 7th Nakanojo Biennale - 中之条ビエンナーレ 国際現代芸術祭, Gunma, JP
- Galerie der Künstler München im BBK, w/ Lena Ditte Nissen, group, Munich, DE
- Hay Art Center & Goethe-Institut Yerevan “Die Grenze”, group, Yerevan, Armenia
- Kindl – Centre for Contemporary Art / Babette Cafe, performance, Berlin, DE
- SOLO Gemeinde Köln, AWAKENING: FUTURE, solo of bergernissen, with Lena Ditte Nissen, Köln, DE
- Palace Of Youth Creativity & Goethe Institut Tashkent “Die Grenze”, group, Tashkent, Uzbekistan
2018
- SOLO PATARA Gallery, Behind the Curtain, solo exhibition, Tbilisi, GEO
- Artisterium XI, Tbilisi International Contemporary Art Exhibition, group, GEO
- Kasteyev State Museum of Arts,“Die Grenze” group, Almaty, KAZ
- SOLO S.Y.P. artist space and gallery, solo exhibition of "Three Borders", Shinjuku-ku, Tokyo, JPN
- Kunstverein Wolfenbüttel, “Surviving Fitness”, group, as BERGERNISSEN, Wolfenbüttel, DE
- NCCA - Ural National Centre of Contemporary Art, “Die Grenze” group, Yekaterinburg, RU
- Goethe-Institut Yerevan / Mirzoyan Library, screening and performance, Yerevan, ARMENIA
- OAG - Deutsche Gesellschaft für Natur und Völkerkunde Ostasiens, lecture and screening, Tokyo, JAPAN
- AUTOCENTER “last dance” at Kindl - Centre for Contemporary Art, group, Berlin, DE
2017
- SOLO HMKV Hartware MedienKunstverein Dortmund - video of the month “Three Borders”, solo exhibition, Dortmund, DE
- Hartware MedienKunstVerein Dortmund, “Die Grenze” group, Dortmund, DE
- History Museum Tbilisi & Goethe Institut, group, Tbilisi, Georgia
- Dovzhenko Centre / Plivka Art Center & Goethe Institute, group, Kyiv, UKRAINE
- Museum Centre Peace Square & Goethe Institut, group, Krasnoyarsk, RU
- Artplay St. Petersburg & Goethe Institut, group, St. Petersburg, RU
- BACC Bangkok Art & Culture Centre, group, w/ Lena Ditte Nissen as BERGERNISSEN, Bangkok, THA
- MMOMA - Moscow Museum of Modern Art & Goethe Institut, group, Moscow, RU
2016
- KAI 10, Arthena Foundation, performance “TAKE UP YOUR SPACE” as BERGERNISSEN, Düsseldorf, DE
- 2016 Anthology Film Archives - AXWFF, screening, NewYork, USA
- CCA - Center for Contemporary Art, artist talk, screening, curation, Tbilisi, GE
2015
- Kunsthalle Düsseldorf - Time Based Academy, performance, Düsseldorf, DE
- EMAF, group w/ Lena Ditte Nissen as BERGERNISSEN, Kunsthalle Osnabrück, DE
- Videonale Parcours, LVRMuseum & Fabrik45, group, Bonn, DE
2014
- Kunstfilmtage, group w/ Lena Ditte Nissen as BERGERNISSEN, Düsseldorf, DE
- FULL SATURATION. Kunstpavillon, group, München, DE
- Cinemateca Distrital, screening, Bogota, CO
- Synthetic Zero, Bronx Art Space, screening, New York, USA
- K21 Ständehaus Kunstsammlung NRW: Lichterfest , performance w/ Lena Ditte Nissen as BERGERNISSEN
CV
Lena Ditte Nissen
born 1987 in Munich, DE
short films distributed by LightCone Paris and Deutsche Kinemathek
www.lenadittenissen.com
@lenaditte
www.bergernissen.com
@bergernissen
Education
currently
- Kunstuni Linz . PhD candidate with Prof. Karin Harrasser . Linz . AU
2010-2016
- Academy of Media Art Cologne KHM . Cologne . DE
2014-2016
- Kunstakademie Düsseldorf . Düsseldorf . DE
2013
- Universidad Nacional de Bogotá . Fine Art Department . Bogotá . CO
Selected Research Activities/Teaching/Artist Talks
2024
- teaching Artistic Research at Universität zu Köln . DE
- curatorial team of the international symposium ‘PASSED ON’ - symposium on narrativization of vernacular archives . Kunstuniversiät Linz . AU
- guest lecture at Kunstuniversiät Linz . AU
2023
- research travelling in Argentina and Chile
- artist talk at Goethe Institute Buenos Aires . AR
- lecture at Parsons - The New School NYC . USA
- presentation at ÖAW Austrian Academy of the Sciences . AU
- presentation at IFK International Research Center for Cultural Studies Vienna . AU
2022
- moderation of panel discussion at Werkleitz Symposium . Halle . DE
- teaching Artistic Research at Katholische Hochschule NRW Münster . DE
- presentation at ICI - Institute for Cultural Inquiry . Berlin . DE
2021
- teaching Experimental Documentary Film at Katholische Hochschule NRW Münster . DE
- Project-Presentation at Universität Oldenburg . DE
- teaching Artistic Research at Katholische Hochschule NRW Münster . DE
202
- artist talk at ART HUB . Copenhagen . DK
- Lecture at UTOPIA Symposium . Filmbüro NW . DE with Alisa Berger as bergernissen
2019
- screening and master class at FAMU - Film and TV School . Prague . CZ
Selected Residencies/Labs
2024 Arctic Circle, Residency, Svalbard, Norway / 2022/2023 IFK - International Research Center for Cultural Studies, Junior Fellowship, Vienna, AU / 2022 Doc Station - Berlinale Talents, selected participant, Berlin, DE 2021/2022 Sommerakademie Paul Klee, Fellowship, Bern, CH / 2019/2020 KÜNSTLERHAUS BÜCHSENHAUSEN, art & theory fellowship, Innsbruck, AU / 2017 SOMA Summer, Mexico City, MX (residency) / 2016 LIGHT CONE; Atelier 105, Paris, FR (post-production residency) / 2013 lugar a dudas, Cali, Colombia (residency in collaboration with Alisa Berger as bergernissen) / 2012 International Summer Academy Salzburg (fully funding scholarship, course by Mara Mattuschka)
Selected Scholarships/Funding
2024 Danish Arts Foundation (residency funding), 2024 Goethe Institut Norway (residency funding), 2023 Government of Nordrhein-Westphalia (individual research travel scholarship), 2022 - 2025 Austrian Academy of the Sciences, AU (three-year artistic research grant), 2022 Stiftung Kunstfond (one year working grant) 2022 Film und Medien Stiftung NRW (research grant), 2022 Neustart Kultur (working grant), 2020/21 Kunststiftung NRW - Junge Szene (project funding), 2020 Danish Arts Foundation (production grant) 2019/20 Government of Nordrhein-Westphalia (individual travel scholarship) 2017 Bonner Kunstverein, Germany (studio stipend with Alisa Berger as bergernissen), 2017 DAAD (research scholarship for Mexico)
Selected Screenings/Performances/Exhibitions/Online (s/p/e/on)
2026
- Kunstmuseum Reutlingen . DE (e)
2025
- TENDENZ VERZERRUNG - exhibition on the occasion of the ver.di-grant for emerging artitsts . Kunstpavillon München . DE (solo - e)
2024
- ART MATTERS 12, Galerie Biesenbach, Cologne, DE (on)
- Pochen Biennale . Chemnitz . DE (with Alisa Berger as bergernissen) (e)
2023
- Goethe Center Maputo . MOZ (e)
2022
- Filmmuseum Potsdam . DE (on)
- Gemeinde Köln . DE (solo - e)
2021
- PRISME . Nantes . FR (s)
- FRACTO . Acud Macht Neu . Berlin . DE (s)
- Experiments in Cinema . New Mexico . USA (s)
- IDENTITY IS UNCERTAINTY #2 . Kunstpavillon . Innsbruck . AT (e)
- Window Videos . Buchhandlung Walther König . Cologne . DE (e)
2020
- DOK Leipzig . DE (s) (German Premiere of short film THERE IS)
- A Handful of Dust . Berlin . DE (p) (in collaboration with historian Sandra Franz)
- KinoviSIEon LEO Kino. Innsbruck . AT (solo screening night)
- CPH:DOX . Copenhagen . DK (s) (World Premiere of short film THERE IS)
- Geumcheon Art Space . Seoul . CO (with Alisa Berger as bergernissen) (e)
2019
- Premierentage (Gallery Weekend) . Künstlerhaus Büchsenhausen . Innsbruck . AT (s)
- Cicuito Nomadica . Bologna . ITA (s)
- Galerie der Künstler . München . DE (with Alisa Berger as bergernissen) (e)
- Queer Experimental Shorts . Filmpalette . Köln . DE (s)
- AWAKENING DESTRUCTION . Gemeinde Köln . Köln . DE (with Alisa Berger as bergernissen) (p/e)
- Vorspiel/Transmediale&CTM . Berlin . DE (s)
2018
- Spätgaben . Galerie ohne Namen . München . DE
- Rathausgalerie . DIE FREIHEIT ERHEBT IHR HAUPT . München . DE (e)
- Fragen ohne Antworten . München . DE (with Carl Nissen) (p/e)
- SOLILOQUY WITH MACHINE #1 . The Hub Gallery . München . DE (solo - p)
- Sisters Wild Cinema . Ulm . DE (s)
- SURVIVING THE FITNESS - Kunstverein Wolfenbüttel . DE (with Alisa Berger as bergernissen) (e)
- Rubenstein Arts Center . Duke University . Durham . USA (s)
- Schmalfilmtage Dresden . Dresden . DE (s/p)
2017
- De Ateliers . Amsterdam Gallery Weekend . NL (e)
- Museo de Arte Moderno . Rio de Janeiro . BRA (s)
- Espectro Electromagnético with Goethe Institut Mexico . Mexico City . MX (s)
- 25FPS . special screening programmed by Mads Mikkelsen of CPH:DOX . Zagreb . HR (s)
- La Lumière Collective . Montréal . CA (s)
- Pärnu International Documentary Film Festival . Pärnu . EST (s)
- Edinburgh International Film Festival . UK (s)
- Chicago Underground Film Festival . USA (s)
- Meconio - Muestra de Nuevos Artistas . Madrid . ES (s)
- CPH:DOX . Danish Artists film/video . Copenhagen . DK (s)
- Scratch Projection . LIGHT CONE . Paris . FR (s)
- EVA13 / Media Conference2017 . BACC Bangkok Art and Culture Center . Bangkok . THA (e)
- Gaze As Metaphor . DISPLAY . Berlin . DE (e)
2016
- aCinema . Milwaukee . USA (s)
- Festival de nouveau cinéma . Montréal . CA (s)
- KAI10 | Arthena Foundation . Düsseldorf . DE(with Alisa Berger as bergernissen) (p)
- Belo Horizonte International Short Film Festival . BRA (s)
- Chicago Underground Film Festival . USA (s)
- Edinburgh International Film Festival . UK (s)
- Anthology Film Archives . AXWFF . NewYork . USA (s)
- CCA - Center for Contemporary Art . Tbilisi . Georgia (s)
- Experiments in Cinema . Albuquerque . New Mexico . USA (s)
- Tiefgarage . Köln . DE (with Alisa Bergeras bergernissen) (e)
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__________
Our final TOP 9 is complete – thank you for participating in our online group show ART MATTERS 12 (from top left):
Simone Pick – Amédé Ackermann – Julia Oram
Meike Schlemmer – Max Gehlofen Casper White
Marina Pagh & Susanne Schmidt-Nielsen – Hyein Jang – BERGERNISSEN (Alisa Berger & Lena Ditte NIssen)
Tonight at 5pm and again at 6pm we will announce the 2 winners of our Art Matters 12 competition!
About ART MATTERS 12:
Even with the 12th ART MATTERS round, it was not easy for us to select only 9 artists for our online exhibition from the many great submissions we received in response to our last Open Artist Call. But it was a great pleasure to discover and get to know so many great artistic positions!
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for about two weeks, three times a year.
Many thanks to everyone who has been following this project, some for 10 editions already, and many thanks also – above all – to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (some of which we are still presenting today in our Instagram stories).
____________________
ART MATTERS 11 – SPECIAL SUMMER EDITION
Online Group Exhibition
Winner
Cheuk Yiu Lo
As the winner of ART MATTERS 11 (Special Summer Edition on the theme "Animalistic"), Cheuk Yiu Lo took part in the group exhibition "Animalistic" in our Cologne gallery in October/November 2025.
FINALE: Monday 19 August
CHEUK YIU LO – WINNER "ART MATTERS 11"
It's time to announce our decision and the winner of our 11th ART MATTERS online competition: Congratulations to Chinese artist CHEUK YIU LO (*1998, based in Hong Kong and London), who will be invited to participate with a selection of her works in our group exhibition “Animalistic" at our gallery in 2025! This is the first time an artist from China has won our competition!
We are impressed by her unique and poetic expressiveness, which her works already show despite her young age. “The Unsung Citizen“ – her resin sculpture of a duck discreetly “dressed“ in a construction worker's waistcoat – calls for a greater appreciation of the overlooked aspects of our urban environment. It highlights the importance of ducks to the ecosystem and urges the viewer to recognise the small, seemingly insignificant contributions that sustain and enrich our society. The sculpture symbolises their important role in pest control, aquatic health and recreation. "The sculpture celebrates their resilience and silent presence and encourages a more mindful and inclusive view of the community and ecosystem by recognising the essential role these ‘unsung citizens’ play in maintaining ecological balance and enriching the human experience,“ says Lo.
It’s Lo’s craftsmanship and storytelling capability that intrigues us, through which her work invites a compassionate understanding of the unseen. She creates a dialogue between the viewer and the silent narratives of those who are frequently overlooked, emphasizing the importance of empathy and social awareness.
We are fascinated by Lo's craftsmanship and her ability to tell stories, through which her work invites a compassionate understanding of the invisible. She creates a dialogue between the viewer and the silent storyteller.
CHEUK YIU LO
The Unsung Citizen, 2024
acrylic on resin
30 x 18 x 18 cm
ARTIST STATEMENT
"The Unsung Citizen" calls for deeper appreciation of overlooked aspects of our urban environment. Highlighting the importance of ducks in London's parks, it urges viewers to acknowledge the small, seemingly insignificant contributions that sustain and enrich our society. The yellow duck with a subtle vest, mirroring a constructor's outfit, symbolizes their vital role in pest control, aquatic health, and recreation. Celebrating their resilience and quiet presence, the sculpture encourages a more mindful and inclusive view of community and ecosystem, recognizing the essential roles these 'unsung citizens' play in maintaining ecological balance and enriching human experiences.
CV
Cheuk Yiu Lo
born 1998
lives and works in Hong Kong and London
www.locheukyiu.com
@locheukyiu_art
Artistic Background
Cheuk Yiu Lo (b. 1998) is an artist based in Hong Kong and London. She graduated from the Slade School of Fine Art with an MFA in Sculpture in 2023 and the Hong Kong Baptist University Academy of Visual Arts in 2020. Lo’s recent body of work focuses on the intricacies of society's overlooked aspects, human emotions, and relationships, blending these themes with a fusion of nature and humanity.
Lo’s sculptures are deeply rooted in narrative and emotional exploration, depicting scenes and figures that reflect the silent struggles and resilience of marginalized communities. Her pieces highlight themes of isolation, protection, and the power of creative expression. These works capture the delicate balance between vulnerability and strength, urging viewers to engage with the often unnoticed segments of society.
Through her craftsmanship and storytelling, Lo's art invites a compassionate understanding of the unseen. Her sculptures create a dialogue between the viewer and the silent narratives of those who are frequently overlooked, emphasizing the importance of empathy and social awareness.
Lo's practice continues to explore the harmony between the human spirit and the natural world, with an emphasis on the beauty found within vulnerability and the need for protection and care in our communities. Her work transcends the visible, offering a profound commentary on human connections and the subtleties of emotional experience.
Education
2021-23
- Distinction in MFA Fine Art, Slade School of Fine Art, University College London, UK
2018-19
- Exchange study in Iceland Academy of Art, Reykjavík, Iceland
2016-20
- 1st Class Honor in BA Visual Arts, Academy of Visual Arts, Hong Kong Baptist University, Hong Kong, China
Professional Experience
2023
- Site dresser, S2 events ltd, London
2022
- Experience Ambassador, UCL Campus Experience & Commercial Services Team, UCL
2021
- Student representative of Library committee for postgraduate sculpture, Slade UCL
2019
- Art Basel Hong Kong Booth Assistant, Cardi Gallery
Selected Exhibitions
2024
- ART MATTERS 11, Galerie Biesenbach, Cologne, DE “online group show“
- Nap, Anonymous, Fishing, ugg, “The Wall is Never Innocent, Unless“
- Anonymous, Gilded Reverence, Art SuperMarket “NEXA art market”
2023
- MaoMao, Gilded Reverence, Henrietta Scrine Contemporary "Weather Report“
- Dependence, Mother, In the gentle light of dawn, eyes unfurled, all is restored, Savouring the Uninvolved View, The Who Gallery "Outside of History“
- Anonymous, Aspiration, Mother, Recollection of Silhouette, Beyond the Sight, Dependence, Slade School of Fine Art "Slade MA/MFA/PHD Degree Show“
- Anonymous, UAL Chinese Society "Mind the Gap“
- Recollection of Silhouette and Greet, Subtitle Labs “Impression”
- Smoke, Slade School of Fine Art “ Slade Interim Show”
2022
- Smoke, Chinese Year Book, Mezhdunarodnyi Hudozhestvennti Fond, Sheng Shi Ge Ya Art Culture, "Time: International Contemporary Art Exhibition“
- Comer, Domestic Pulse, Cilvilized Egg Shells, Untitled, 139 Copeland Rd “The Edge of Safehouse”
- Primal, The Tub Hackney “Synthesis”
- Nature Morte is still life and Life Form, The Holy Art Gallery “Young Blood - Virtual Edition 02”
2021
- Perception, Hong Kong Ocean Park long-term display
2020
- Sky, 天河区文化艺术中心“2020 广州雕塑大展暨澳门雕塑邀请展”
- Sky, Hainan Library“守正与创新—2020‘海口美术作品展’”
- Sky, Hong Kong City Hall Central“Fresh Trend 2020”
2019
- Leave your mark, Sólvallagata 79, 101 Reykjavíkurborg, Iceland “VÍDDUR”
- Not able to calculate the sum of a continuously growing figure, but a figure of a temporary moment, HKBU Communication and Visual Arts Building
2018
- Perception, Hong Kong Vitoria Park “Hong Kong Flower Show 2018”
- Perception, HKBU Communication and Visual Arts Building
- Lion Siblings, “Marble Fable” HKBU Communication and Visual Arts Building
Selected Publications
2023
- Ocula, London Graduates 2023: Young Artists to Watch
2020
- A.M.Post Artplus, Aspiration of the "Young Heart" Revealed by Diversified Arts Creation
- CNN, Creative Class of 2020: From New York to Tokyo, art students share what it's like to graduate during a pandemic, 14 July 2020
- 我形我塑【学院展讯】香港浸会大学视觉艺术学院:2020 届雕塑本科线上毕业 展
- 雕塑头条『雕塑头条』香港浸會大學視覺藝術學院雕塑專業 2020 届本科生畢業 作品
- 当代雕塑 香港浸会大学视觉艺术学院:2020 届雕塑本科线上毕业展
2018
- Hong Kong Baptist University News Visual Arts students showcase wood sculptures at Flower Show
Selected Collections
2020
- Über-dream – held within the HKBU Academy of Visual Art Studies Collection
- Perception – collected by Hong Kong Ocean Park
2021
- Tian – private collector
2022
- Primal, Fleeting Smoke – private collectors
2023
- Greet, Aspiration, Recollection of Silhouette, Beyond the Sight, first model of In the gentle light of dawn, eyes unfurled, all is restored – private collectors
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Our final TOP 9 is complete – thank you for participating in our online group show "Animalistic" (from top left): Nathan Schönewolf – Björn Heyn – Johannes Rave – Eunjung Suh – Anja Segermann – Cheuk Yiu Lo – Pascal Wild – Camille Theodet & Sali Muller.
Tonight at 6pm we will announce the winner of our Art Matters 11 competition!
About ART MATTERS 11:
Even with the 11th ART MATTERS round (9 regular and 2 Special Summer Editions with thematic specification), it was not easy for us to select only 9 artists for our online exhibition from the many great submissions we received in response to our last Open Artist Call. But it was a great pleasure to discover and get to know so many great artistic positions!
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for about two weeks, two to three times a year.
Many thanks to everyone who has been following this project, some for 10 editions already, and many thanks also – above all – to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (some of which we are still presenting today in our Instagram stories).
____________________
_______________________________
ART MATTERS 10
Online Group Exhibition
Winner
Heike Weber
As the winner of ART MATTERS 10, Heike Weber took part in the group exhibition "Analogies" in our Cologne gallery in May/June 2025.
FINALE: Monday 15 April
HEIKE WEBER – WINNER "ART MATTERS 10"
It is time to announce our decision and declare the winner of our 10th ART MATTERS online competition: We congratulate the German sculptor and painter HEIKE WEBER (*1973), who will be invited to participate in a group exhibition in our gallery with a selection of her works in early 2025 (TBD)! This is the first time that an artist from our hometown of Cologne has won!
Heike Weber has been among our ART MATTERS finalists several times in the past and we have been able to get to know and appreciate her work – encompassing concrete spatial sculptures made of ceramic, steel and bronze, as well as wall works made of aluminium and paintings – better and better. It is above all her small-format ceramic sculptures with their concrete curved lines and seemingly effortless compositions that fascinate and inspire us.
By combining individual, similar shapes, Weber creates minimalist objects with interior spaces. The sculptures grow into a new whole, a sometimes seemingly organic abstract object, a spatial work. Through the way in which the connections are made, they develop their own formal language, which we as viewers seek to explore.
Concrete spaces are created through the connection of clear forms, arches form a space, they harbour an interior and form a protective space for the interior directed outwards. Abstract and playful at the same time.
HEIKE WEBER
OUR TOP 9 AT ONE GLANCE:
Our TOP 9 is complete – thank you for participating in our online group show to (from top left): Petra Schmidt – Kirsi Kivivirta – Michael Francis Ryan – Nanou Dupuis – Azim F. Becker – Amelia Nin – Heike Weber – Clara Lemos – Anne Berlit.T
Tonight at 6pm we will announce the winner of our Art Matters 10 competition!
About ART MATTERS 10:
Even with the 10th ART MATTERS round (9 regular and one special edition last summer), it was not easy for us to select only 9 artists for our online exhibition from the many great submissions we received in response to our last Open Artist Call. But it was a great pleasure to discover and get to know so many great artistic positions!
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for about two weeks, two to three times a year.
Many thanks to everyone who has been following this project, some for 10 editions already, and many thanks also – above all – to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (some of which we are still presenting today in our Instagram stories).
____________________
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ART MATTERS 9
Online Group Exhibition
1st Winner
Kira Fröse
As the 1st winner of ART MATTERS 9, Kira Fröse presented her LAB solo exhibition Nach Strich und Faden in our Cologne gallery from July to August 2024.
2nd Winner
Albrecht/Wilke
As the 2nd winner of ART MATTERS 9, the artist duo Albrecht/Wilke presented their online solo exhibition Imbissnasen on our website from June to August 2023.
1st Prize: KIRA FRÖSE – Winner Gallery Group Show
Congratulations to KIRA FRÖSE: German artist Kira Fröse (*1992, lives and works in Bochum) is today the second of our two ART MATTERS 9 winners and will be invited with a selection of her works to participate in a group exhibition in our gallery in Cologne in 2024! Fröse's work is emotional and focuses on the longing for haptic experiences. Shiny surfaces, structured flowing forms and dynamic matter - the juxtaposition of stillness and movement fascinates and inspires us. Her works invite us to mistrust our senses and reinterpret the familiar. And in this respect, we already have some ideas for a fun and beautiful presentation with Kira Fröse's works and look forward to working with the artist in the near future!
"Through the use of colour, organic, playful, and dynamic shapes, my work wants to seduce and invite the viewers to experience what is in front of them with their own senses and imagination. Subconsciously influenced by the aesthetics of nature and used objects of everyday life, I create static forms that depict motion and appear to be smooth and light despite the heaviness of their substance. Observing more closely one can perceive that aesthetics can only endure through the presence of unaesthetic detail."
KIRA FRÖSE
quetschbar, 2015
old dishwasher, textile, spray paint
70 x 68 x 50 cm
2nd Prize: ALBRECHT/WILKE – Winner Online Solo Show
Congratulations to the artist duo ALBRECHT/WILKE: The Berlin artists Albrecht/Wilke (Tim Albrecht, *1992 in Berlin and Hannes Wilke, *1991 in Stade) are today the first of our two ART MATTERS 9 winners and will be presented in 2024 with a selection of their works on canvas and paper in a solo online exhibition on our website and our social media channels! Figurative, but also abstract, associative, subjective – the central theme of the works is the examination of the German middle class milieu. To this end, the artists blend the art and (pop) cultural history of the past century with a hefty dose of zeitgeist: We simply love their humorous play with clichés and ironic comparisons and already look forward to the collaboration!
"We are painters. We paint what we see. We paint what's good!" - with these sentences we introduce our manifesto "Good Painting". In contrast to the concept of bad painting, this initially seemingly bold slogan dissolves into a humorous play with clichés and ironic comparisons in the rest of the manifesto, just as we do with painting. Our pictures are an interweaving of formal elements, art-historical quotations and a lot of irony."
ALBRECHT/WILKE
Currywurst (Kommste vonne Schicht, Wat schönret gibt et nich’), 2023
oil and acrylic on canvas
140 x 120 cm
OVERVIEW OF OUR TOP 15
Our TOP 15 is complete – thank you for participating in our online group show to (from top left): Paul Ahl, Jan Jansen, Simone Pick, Jamie Drouin, Stephen Whatcott, Alejandro Javaloyas, Birgit Cauer, Danil Yordanov, Tom Cartmill, Amélie von Heydebreck, Heike Weber, Kira Fröse, Aleksandr Vladimirovich Nuss, Albrecht/Wilke & Xu Zheng.
About ART MATTERS 9:
Even with the 9th ART MATTERS round (8 regular and one special edition last summer), it was not easy for us to select only 15 artists for our online exhibition from the many great submissions we received in response to our last Open Artist Call. But it was a great pleasure to discover and get to know so many great artistic positions!
We hope that this multitude of perspectives and positions results in an exhibition that shows a field of tension, but also a symbiotic dialogue between the individual works of art. An exhibition that fits in with the orientation and philosophy of our gallery, but also definitely brings something new to our programme.
There is so much remarkable art out there, but we can't show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience for just over two weeks, two to three times a year.
Many thanks to everyone who has been following this project, some for 9 editions already, and many thanks also - above all - to all participating artists, especially to our TOP 15 and the 45 Honourable Mentions (some of which we are still presenting today in our Instagram stories).
____________________
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ART MATTERS 8 – Special Summer Edition
Online Group Exhibition
Winner
Eric Keller
As the winner of ART MATTERS 8, Eric Keller took part in the group exhibition LANDSCAPE?! in our Cologne gallery from September to November 2024.
ERIC KELLER: Winner ART MATTERS Summer 2023
Congratulations to ERIC KELLER: The German artist (born 1985, lives and works in Dresden) is the winner of our ART MATTERS Summer 2023 competition with his painting “Einfahrt" (“Driveway“, 2022, oil on wood, 60 x 85 cm)!
We cordially invite him to participate with a selection of his works in a group exhibition on the theme LANDSCAPES at our gallery in Cologne in September 2024!
Eric Keller's pictures show places, cities and landscapes, sometimes also people and portraits. However, it is not only about copying a place or a person, but also about observing experienced moments, moods and processes. Keller transfers his visual memories into a painterly fiction, set in a placeless sphere full of moods and feelings. We are fascinated by the almost eerie atmosphere in his work, by the earthy colours and tones of his landscapes, which often seem strangely misty. Reminiscent of dream or film images, his works are certainly not optimistic, but the stories they unfold are very compelling in a peculiar way. Keller's images are ultimately fiction that show us an emotional way of perceiving reality.
"[...] The more intensively one looks, the better one's eyes grasp the transparent, vibrating and iridescent richness of Keller's colour fabrics. Beyond representational depictions, his paintings are also manifestos of what can be achieved with the means of painting. But Keller does not work conceptually. He does not need a theoretical underpinning and does not load his paintings with calculated references. Intuition and the inner visual memory play an important role. Unlike most representational painters today, he does not use photographs as models. "Everything I paint I have seen in real life," Keller explains. "But I don't capture anything in the landscapes and architectures, nor do I take photographs. At that moment on site, I don't yet know that a painting will come out of it." An unconscious saving. When painting, Keller returns to the spaces and topographical situations in his imagination. But he must have actually experienced all the impressions. "Otherwise they don't become usable for me." [...]" (Excerpt from Remembrance of the Present: Sebastian Preuss on the work of Eric Keller)
ERIC KELLER
Our final TOP 9 is complete! Thank you for participating in our online group exhibition (from top left): Lorenz Bögle, Hanna Kaminski, Luis Zimmermann, Maximilian Welz, Lars Unger, Christo Daskaltsis, Eric Keller, Jean/Yohanan Delaunay-Israël & Marc Fiegle.
Check out our last 9 posts further down or on Instagram to find out everything about ART MATTERS Summer 2023 and the 9 artists/artworks we selected via our latest open call!
And check back later at 6pm when we announce the winner of our online competition from the 9 finalists. Today is finals day and we reveal the name of the artist who will be invited to participate in a group exhibition on the theme of LANDSCAPES at our gallery in Cologne.
About ART MATTERS SUMMER 2023:
The first Special Summer Edition of our ART MATTERS series followed our recent 8th Open Artist Call, with which for the first time we set a theme for submissions: LANDSCAPES. In selecting the artists and their works, we did not necessarily focus on classic, figurative landscape depictions. And so we also present abstract, almost minimalist works that often only convey the idea of a landscape and make the exhibition an eclectic overall presentation.
Also for this latest ART MATTERS round, it was not easy for us to choose only 9 artists for our online exhibition from the many great submissions we received in response to our 8th open call. There are so many remarkable things out there, but we cannot show them all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience two or three a year for about two weeks.
Many thanks to all of you who follow this project, some of you for 8 issues already, and many thanks also to all participating artists, especially to our TOP 9 and the 27 Honourable Mentions (there are still some to be presented on our Instagram Stories today!).
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ART MATTERS 7
Online Group Exhibition
1st Winner
Austin Turley
As the 1st winner of ART MATTERS 7, Austin Turley took part in the group exhibition achromatic in our Cologne gallery from January to March 2024.
2nd Winner
Elizabeth Charnock
As the 2nd winner of ART MATTERS 7, Elizabeth Charnock presented her online solo exhibition At a Distance on our website from October to December 2023.
AUSTIN TURLEY: Winner Gallery Group Show
Congratulations to AUSTIN TURLEY: The US artist (born 1977, lives and works in Portland, OR) is the second of our two ART MATTERS 7 winners and will be invited with a selection of his works to a group exhibition at our gallery in Cologne in early 2024 (TBD)! We are intrigued by Turley’s artistic exploration of kiln-formed, cold-worked glass. The resulting wall objects are intimately small and fragile, yet bold and striking. We already have some ideas for a beautiful presentation with Austin Turley's works and look forward to working with the artist in the near future!
“Spontaneity, improvisation, and techniques of the bricoleur are the result of keen observations, which can lead to finding relevancy in the unexpected. I believe my modes of making are parallel to those of the bricoleur, exploring the notion that science and mystical thought are equivalent approaches to understanding the world around us. I am interested in the transformative character of objects as they evolve, erode, and alter throughout time. As I continue to learn and experiment with the complexities of kiln formed glass, my focus and research revolves around the language of the medium itself, how it behaves, its characteristics, and its properties. I believe emphasizing these rhythms, patterns, and formations possess the capacity to act as a proxy for things beyond itself and its seemingly simple physical existence. This correspondence between the glass is a layered iterative process of unmaking and remaking, engaging strategies of repetition, interference, and disruption. My aim is to create presence within the overlooked and challenge how we view, experience, and navigate our conditions.“
AUSTIN TURLEY
Variant 5, 2022
kiln formed, cold worked glass
18 x 13 x 2 cm
ELIZABETH CHARNOCK: Winner Online Solo Show
Congratulations to ELIZABETH CHARNOCK: The young artist (born 1990 in the UK, lives and works in Berlin) is today the first of our two ART MATTERS 7 winners and will be presented with a selection of her ink drawings in an online solo exhibition on our website and social media channels in late 2023 (TBD)! Charnock's uninhabited spaces and urban situations are hauntingly beautiful. With her focused and clear visual vocabulary, she succeeds in stimulating our playful imagination. Her painterly minimalism also allows for open associations about our modern civilisation. We feel very connected to the artist's work, look forward to the collaboration and are excited to see where it will take us!
"The built environment and urban planning ideologies are common themes throughout her practice. Spatial relationships inform her work at all scales – from entire cities and street scenes, to the seemingly banal small structures which permeate our surroundings. By referencing a large body of documentary photography, she mentally collages multiple urban elements into imagined environments, which are meticulously rendered with multiple layers of ink on paper.
Her work often captures moments ‘in-between’ – miniature snapshots of tranquility before or after human activity. The scenes she creates inhabit realms that are entirely fictional, yet instantly recognisable. The uninhabited spaces evoke feelings of isolation, offering familiarity – but only at a distance – whilst inviting the viewer to reassess their own sense of place within the setting."
ELIZABETH CHARNOCK
50 x 40 cm (without frame)
OVERVIEW OF OUR TOP 15
Our TOP 15 is complete – thank you for participating in our online group show to (from top left): Stephen Whatcott, Benjamin Schoones, Tom Cartmill, Petra Schmidt, Anja Rausch, Austin Turley, Pascal Ungerer, John Trashkowsky, Nicolas Vionnet, Heike Weber, Sinéad Butler-Aldridge, Nadine Karl, David Mohr, Elizabeth Charnock & Jaewon Kim.
Check out our last 15 posts further down or on Instagram to find out everything about ART MATTERS 7 and the 15 artists/artworks we selected via our latest open call!
And make sure to come back later when we declare the two winners of our online competition. It is finals day today and we reveal:
- at 5pm the artist who will be rewarded an online solo show
- at 6pm the artist who will be invited to participate in a group show in our gallery in Cologne.
About:
Also for the 7th ART MATTERS round, it was not easy for us to choose only 15 artists for our online exhibition from the many great submissions we received in response to our 7th open call for artists. But it was a great pleasure for us to discover so many great artists! There are so many remarkable things out there, but we cannot show them all in our gallery. The ART MATTERS series allows us to present many artistic positions from around the world to a wider online audience twice a year for just over two weeks.
Many thanks to all of you who follow this project, some of you for 7 issues already, and many thanks also to all participating artists, especially to our TOP 15 and the 45 Honourable Mentions (there are still some to be presented today!).
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ART MATTERS 6
Online Group Exhibition
1st Winner
Molly Thomson
As the 1st winner of ART MATTERS 6, Molly Thomson took part in the group exhibition TRIALOGUE - Aspects of Abstraction in our Cologne gallery from June to August 2023.
2nd Winner
Rosina Rosinski
As the 2nd winner of ART MATTERS 6, Rosina Rosinski presented her online solo exhibition Damian on our website from February to April 2023.
FINALS DAY: Sunday 30 October
MOLLY THOMSON: Winner Gallery Group Show
Congratulations to Molly Thomson: The Scottish artist (*1953, lives and works in Norwich, England) is the second of our two ART MATTERS 6 winners and will take part in a group exhibition at our gallery in Cologne in 2023 with a selection of her works! More about this soon.
The fact that with Molly Thomson, former MA (Painting) student at the Royal College of Art in London, we have a second female winner is pure coincidence. Her work, however, fits seamlessly into our largely abstract-minimalist gallery programme. The subject of "sculptural painting" has interested us for many years and Thomson - primarily a painter - also explores the subject of the painting and its hybrid identities.
"Beginning most often with the simple fact of the rectangular painting panel I place myself in the position of both agent and observer, using acts of cutting, reassembling and pouring to re-form - and respond to - each piece. I am interested not only in the layered facade that is presented, but also in the fact that the painting casts and contains shadows.
[…] Interior spaces are often implicated, even if only glimpsed through the smallest of openings, and I am interested in the quiet question that such breaks in the facade might pose. Sometimes the paintings are layered, suggesting compressed strata of parallel surfaces. Some paintings may quietly allude to what cannot or shouldn’t be seen, while others flex their joints or extend their surfaces with a touch more expansiveness. […]"
We already have some ideas for a group exhibition with Molly Thomson's works and look forward to collaborating with the artist in the near future!
MOLLY THOMSON
Painting with wedged interior, 2022
acrylic, filler, wooden panel
36 x 27 x 6 cm
ROSINA ROSINSKI: Winner Online Solo Show
Congratulations to Rosina Rosinski: The young artist (*1989, lives and works in Dortmund, DE) is the first of our two ART MATTERS 6 winners today and will - in 2023 - be presented with a selection of her paintings in an online solo exhibition on our website and social media channels! More info soon.
With the highest level of female artist participation in our ART MATTERS competition ever, it is only fitting that at least one winner is a woman. Rosina Rosinski's bold paintings and self-portraits feature strong, larger-than-life female figures and are based on Christian and mythological iconography. At first glance garish, colourful and loud, the paintings increasingly draw the viewer in, discussing gender issues and tackling themes of life, death and vanity.
Rosina Rosinski is only our second female winner after Patrizia Kränzlein (ART MATTERS 2). And it is also the first time ever that figurative art has won in our competition. This is also due to the fact that we received and were able to select from more figurative works than in all previous ART MATTERS editions.
Rosinski's works represent a completely new and exciting direction for us. They not only work in physical space, but their vibrant colours and Rosinski's meticulous way of painting clean, print-like surfaces make them perfect for online presentations. We feel a strong connection to the artist's work, look forward to the collaboration and are excited to see where it will take us!
ROSINA ROSINSKI
Home safely (Venus mourning the death of Adonis), 2022
acrylic and airbrush on canvas
150 x 195 cm
Our TOP 15
Our TOP 15 is complete – thank you for participating in our online group show to (from top left): Zixu Wang, Rosina Rosinski, Molly Thomson, Tomica Radulovic, Christine Lee, Gemma Carson, Brennan Wojtyla, Silvia Giordani, Katya Granova, Heike Weber, Frijke Coumans, Graziela Guardino, Roberto Rivadeneira, Mattia Noal und John Brendan Guinan.
Check out our last 15 posts further down or on Instagram to find out everything about ART MATTERS 6 and the 15 artists/artworks we selected via our latest open call!
And make sure to come back later when we declare the two winners of our online competition. It is finals day today and we reveal:
- at 5pm the artist who will be rewarded an online solo show
- at 6pm the artist who will be invited to participate in a group show in our gallery in Cologne.
About:
Again for the 6th ART MATTERS round, it was not easy for us to choose only 15 artists for our online exhibition out of the many great submissions we received in response to our 6th Open Artist Call. But it definitely was a great pleasure to discover and get to know so many great artists! There is so much remarkable art out there, but we cannot show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from all over the world to a wider online audience twice a year for a little more than 2 weeks.
Many thanks to all of you who follow this project, some of you for 6 issues by now, and many thanks also to – most of all – all the participating artists, especially to our TOP 15 and the 45 Honourable Mentions (there are still some to be featured today!).
We found it particularly remarkable this time that more female artists than usual applied. That there was even more international participation, especially from Eastern but also Northern and increasingly Southern European countries. There were also many more applicants than usual from Asia, North and South America and Australia and even Africa. What pleased us most, however, was that finally more figurative artists applied, as abstraction has always been predominant at ART MATTERS. All this is reflected in the selection of our TOP 15, which is more eclectic than ever before.
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ART MATTERS 5
Online Group Exhibition
1st Winner
Vittorio Bianchi
As the 1st winner of ART MATTERS 5, Vittorio Bianchi took part in the group exhibition TRIALOGUE - Delicate Strength in our Cologne gallery from January to February 2023.
2nd Winner
Arran Rahimian
As the 2nd winner of ART MATTERS 5, Arran Rahimian presented his online solo exhibition TIME on our website from November 2022 to January 2023.
Following our 5th Open Artist Call, we launch our new ART MATTERS 5 online group exhibition on Saturday 9 April at 6pm CET. From all the applications received, we have selected 15 finalists, who will be presented with their submitted artworks on our website, Instagram and Facebook, one after the other until 23 April. Every day at 6pm, a new name and artwork will be unveiled so that the exhibition slowly comes together as a whole. The presentation of our Top 15 is rounded off by "Honourable Mentions" in our daily Instagram stories, in which we acknowledge the works of a selected number of artists who just missed the final cut (45, to be exact, posted in our Instagram stories from 10 to 24 April, 2 per day and between noon and 6pm).
On Sunday 24 November at 5 and 6pm, we will announce for the first time two winners of our online competition: One will receive a solo online exhibition, the other will be invited to participate in a group exhibition in our gallery space in Cologne.
About our ART MATTERS series:
Just like with our first four open artist call projects in April and November 2020 and again in April and November 2021, we were aware how versatile and eclectic this fourth online exhibition could be. But it was precisely the idea of an open call that appealed to us: to invite artists from the most diverse directions to apply and submit their work. From this multitude of perspectives and positions, we look forward to get an exhibition that shows a field of tension but also a symbiotic dialogue between the individual artworks. An exhibition that matches the direction and philosophy of the gallery, but also brings something new to our programme.
Sunday 24 April: Finals Day 3/3 - VITTORIO BIANCHI
Congratulations to Vittorio Bianchi: The Italian artist from Milan is the second of our two ART MATTERS 5 winners today and will soon be presented with a selection of his works in a group exhibition at our gallery in Cologne! More information on this coming soon.
Of course, it is difficult to choose a winner or - as in this case - two winners from a large number of beautiful artists who applied through an Open Call. It is not a question of better or worse. Rather, it is about a feeling. As previously described with Arran Rahimian, we feel a strong connection with Vittorio Bianchi's work and believe it fits well into our gallery programme! One of our favourites since the work was submitted due to its inherent textile and also sculptural aspects, we already have a very nice project in mind that we will realise with the artist as soon as possible. We look forward to the collaboration and are excited to see what develops!
Winner 1/2: Vittorio Bianchi
R #6, 2019
polyurethane, nylon, Capaver glass fabric
119 x 83,5 cm
Sunday 24 April: Finals Day 2/3 - ARRAN RAHIMIAN
Congratulations to Arran Rahimian: The young artist, Edinburgh-based artist is the first of our two ART MATTERS 5 winners today and will soon be featured with a selection of his paintings in a solo online exhibition on our website and social media channels! More info on this soon.
We feel a strong connection with the artist's work and believe it will fit in well with our gallery programme and also be beautifully communicable as an online exhibition. We look forward to the collaboration and are excited to see where this will take us!
Winner 2/2: Arran Rahimian
46 Hours, 2022
oil on canvas
76 x 70 cm (framed)
Sunday 24 April: Finals Day 1/3 - the TOP 15
TOP 15
Our Top 15 is complete – thank you for participating in our online group show to (in order of their daily posts): Stephen Wozniak, Bianca Barandun, Stephen Whatcott, Max Geisler, Mika Natri, Elliott Mickleburgh, Arran Rahimian, Tomoko Konae, Alejandro Javaloyas, James OKeefe, Paulus Maassen, Johannes Steininger, Vittorio Bianchi, Jonathan Ducrest and last but not least Johan Van Oeckel.
Check out our last 15 posts further down or on Instagram to find out everything about ART MATTERS 5 and the 15 artists/artworks we selected via our latest open call!
And make sure to come back later when we, Galerie Biesenbach as the jury of ART MATTERS 5, declare for the first time not one but two winners of our online competition. It is finals day today and we reveal:
- at 5pm the artist who will be reward an online solo show
- at 6pm the artist who will be invited to participate in a group show in our gallery in Cologne.
About:
Again for the 5th ART MATTERS round, it was not easy for us to choose only 15 artists for our online exhibition out of the many great submissions we received in response to our 5th Open Artist Call. But it definitely was a great pleasure to discover and get to know so many great artists! There is so much remarkable art out there, but we cannot show it all in our gallery. The ART MATTERS series allows us to present many artistic positions from all over the world to a wider online audience twice a year for a little more than 2 weeks.
Many thanks to all of you who follow this project, some of you for 5 issues by now, and many thanks also to – most of all – all the participating artists, especially to our Top 15 and the 45 Honourable Mentions (still some to be featured today).
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ART MATTERS 4
Online Group Exhibition
Winner
Alireza Elahi
As the winner of ART MATTERS 4, Alireza Elahi took part in the group exhibition Where the Rubber Meets the Road in our Cologne gallery from June to August 2022.
Following our 4th Open Artist Call, we have launched our new ART MATTERS 4 online group exhibition on Sunday 17 October at 6pm. From all the applications received, we have selected 15 finalists, who will be presented with their submitted artworks on our website, Instagram and Facebook, one after the other until 31 October. Every day at 6pm, a new name and artwork will be unveiled so that the exhibition slowly comes together as a whole. The presentation of our Top 15 is rounded off by "Honourable Mentions" in our daily Instagram stories, in which we acknowledge the works of a selected number of artists who just missed the final cut (90, to be exact, posted in our Instagram stories from 18 October to 1 November, 6 per day and between noon and 6pm).
On Monday 1 November at 6pm, the winner of our online competition will be announced: He or she will be invited to participate in an exhibition in our gallery space in Cologne in 2022.
We invite you to visit ART MATTERS 4 regularly here on our website, Instagram and Facebook.
About our ART MATTERS series:
Just like with our first three open artist call projects in April and November 2020 and again in April 2021, we were aware how versatile and eclectic this fourth online exhibition could be. But it was precisely the idea of an open call that appealed to us: to invite artists from the most diverse directions to apply and submit their work. From this multitude of perspectives and positions, we look forward to get an exhibition that shows a field of tension but also a symbiotic dialogue between the individual artworks. An exhibition that matches the direction and philosophy of the gallery, but also brings something new to our programme.
Monday 1 November: Finals Day
ART MATTERS 4: And the winner is... Alireza Elahi (*1991, lives and works Tehran) – congratulations! We are pleased to include an Iranian artist in our programme for the first time and to present his expressive abstract paintings in one of our upcoming gallery group exhibitions.
Also for the 4th ART MATTERS round, it was not easy for us to choose only 15 artists for our online exhibition out of the many great submissions we received in our 4th Open Artist Call, and then also to choose a single winner.... It was definitely fun to discover and get to know so many great artistic positions! There is so much remarkable art out there, we can't show it all in our gallery. But the ART MATTERS series allows us to present many artistic positions from all over the world to a wider audience online twice a year for a little more than 2 weeks.
Many thanks to all of you who follow this project, some of you for 4 issues by now, and many thanks also – most of all – to all participating artists, especially to our Top 15, namely (in order of their daily posts: Alireza Elahi, Katja Pál, Bislacchi, Amir Chasson, Mariejon de Jong-Buijs, Aaron Kaveh Ossia, Molly Thomson, René Korten, Stephen Wozniak, Peter Evans, Eva Dijkstra, Beverly Rautenberg, Alan Greenberg, Clemens Gritl and last but not least Sharon Haward.
ALIREZA ELAHI
untitled, 2020
acrylic and spray paint on primed canvas
150 x 100 cm
OUR TOP 15
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ART MATTERS 3
Online Group Exhibition
Winner
Stephen Burke
As the winner of ART MATTERS 3, Stephen Burke took part in the group exhibition Where the Rubber Meets the Road in our Cologne gallery from June to August 2022.
To curate our new online group exhibition ART MATTERS 3, we have been looking for international visual artists via open call from 14-28 March, 2021. From all applications received, our independent jury, the Reclaim Collective, finally selected 15.
On a daily basis at 6pm CET sharp from Sunday, 11 April onwards, all 15 finalists will be presented one by one with their submitted work exclusively on galerie-biesenbach.de and our Instagram/Facebook accounts. The presentation of our Top 15 is rounded off by "Honourable Mentions" in our daily Instagram stories, in which we acknowledge the works of a selected number of artists who just missed the final cut (90, to be exact, posted in our Instagram stories from 12 to 26 April, 6 per day and between noon and 6pm).
On Monday, 29 April at 6pm the winner of our competition will be announced: He or she will be invited to participate in an exhibition in 2021 in our gallery rooms in Cologne.
About our ART MATTERS series:
Just like with our first two open artist call projects in April and November 2020, we were aware how versatile and eclectic this third online exhibition could be – especially since we decided to have it curated by an independent jury. But it was precisely the idea of an open call that appealed to us: to invite artists from the most diverse directions to apply and submit their work. From this multitude of perspectives and positions, we look forward to get an exhibition that shows a field of tension but also a symbiotic dialogue between the individual artworks. An exhibition that matches the direction and philosophy of the gallery, but also brings something new to our programme.
Finals Day
Group photo with 15 finalists, including 1 winner - please scroll down and read on to find out who won our 3rd ART MATTERS online competition!
First and foremost though, we'd like to thank our judges – the guys from Reclaim Collective – for collaborating with us on this project and putting together such a beautiful, eclectic exhibition! We know how hard it is to choose from all the submissions we received as part of our open call, to select just 15 artists and then also to narrow it down to one winner... But it was definitely an immense pleasure for us to discover so many great artists or to get to know them better!
Thanks also to all of you who have been following this project, some of you since we started it a year ago, and thanks – most of all – to all the artists involved, especially our Top 15, namely: Patia Fa, Isabella Convertino, Jeroen Molenaar, Dorota Goczal, PUTPUT, Vera Saldivar de Lira, Paul Snell, Chris Tille, Stephen Burke, Oliver Cain, Susanne Stähli, Daniel Morata Gressel, Rafael Raposo Pires, Maaike Kramer and last but not least Francisco Valenca Vaz.
But in the end, there can only be one and our jury chose Stephen Burke (*1991 in Dublin, lives and works in Dublin) as the ART MATTERS 3 winner in an extremely close decision. Congratulations! With his submitted work Bump from 2021 (spray paint, emulsion and chewing gum on tactile tiles, steel frame, 60 x 45 x 3 cm) and his statement as well as his overall artistic approach/body of work, he not only convinced our jury and we are happy to invite him to participate in an thematic group exhibition in our gallery in Cologne in 2022. We already have a great project in mind – more information to follow soon!
OUR TOP 15
Winner ART MATTERS 3: Stephen Burke
STEPHEN BURKE
Bump, 2021
spray paint, emulsion and chewing gum on tactile tiles, steel frame
60 x 45 x 3 cm
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ART MATTERS 2
Online Group Exhibition
Winner
Patrizia Kränzlein
As the winner of ART MATTERS 2, Patrizia Kränzlein took part in the group exhibition PoP - Painting on Paper in our Cologne gallery from September to October 2021.
Monday, 14 December
To curate our online group exhibition ART MATTERS 2, we launched our second Open Call on 8 November with the aim of finding 15 new artists. Until yesterday, we presented the finalists and their submitted works individually every day at 6pm for a fortnight.
Tonight, we are pleased to announce Patrizia Kränzlein (*1987 in Stuttgart, lives and works in Stuttgart) as the winner of our competition and invite her to participate in a thematic group exhibition at our gallery in Cologne in summer 2021. Her sensitive formal language and approach to the medium of paper have excited us and bring new, interesting aspects to our gallery programme.
It was extremely difficult for us to pick out just one from so many remarkable artistic positions. Therefore, we would like to thank all the artists who submitted their works. It was a great pleasure for us to discover these great artists or to get to know them better!
To learn more about Patrizia Kränzlein and the works of the other 14 finalists – in order of their daily presentation: Birte Horn, Armin Mühsam, Laura Jane Scott, Tonneke Sengers, Viktoria Körösi, Sali Muller, Paul Corvers, Stuart Fineman, Katja Pál, Ute Krafft, Evelyn Snoek, Andrew Clausen, Alex De Bruycker & Yoella Razili – please scroll down or check out our Instagram feed.
PATRIZIA KRÄNZLEIN
untitled, 2020
linoleum ink and graphite on paper (mounted on board), 70 x 50 cm
GROUP PHOTO
Final 15
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ART MATTERS 1
Online Group Exhibition
Winner
Jussi Niva
As the winner of ART MATTERS 1, Jussi Niva took part in the group exhibition Sculptural.Painting. in our Cologne gallery from January to April 2021.
Out of the corona/lockdown situation in March/April – exhibition postponed, gallery closed to the public – our first virtual group exhibition ART MATTERS was created, which could only be viewed online at www.galerie-biesenbach.de and our Instagram and Facebook accounts. Unusual times, new ways!
With an open call launched on Instagram, we spent two weeks looking for new artists and finally selected 15 participants for our group exhibition.
We knew how eclectic this Online Only exhibition could be. But it was precisely the idea of the Open Call that appealed to us: to invite artists from the most diverse backgrounds to apply and submit their work. From this multitude of perspectives and positions, we curated an exhibition that shows a field of tension but also a symbiotic dialogue between the individual artists and artworks. An exhibition that fits the direction and philosophy of the gallery, but which has also brought something new to our programme.
From Sunday, 12 April onwards, one artist was presented with the submitted work every day at 6 pm. On 26 April the winner of our competition was announced and invited to participate in a later exhibition in our gallery space in Cologne. Our choice was Jussi Niva, who will present a selection of his works in the group exhibition "Sculptural.Painting." in January/February 2021.
With works by: Christina Augustesen, Carlos Balbás, Bram Braam, Michael Craik, Alex De Bruycker, Viktoria Körösi, Ute Krafft, Vincent Lo Brutto, Daniel Müller-Jansen, Jussi Niva, PUTPUT, Beverly Rautenberg, Michael Samuels, Jon Thomas & Michael Weißköppel
Winner ART MATTERS 1: Jussi Niva
Jussi Niva
Another Together, 2019
oil on wood, 199 x 53 x 29 cm
GROUP PHOTO
Final 15